以《挂壁飞泉图》为中心来探索龚贤山水画艺术

发布时间：2018-03-24 22:00

本文选题：龚贤　切入点：积墨法　出处：《云南艺术学院》2014年硕士论文

【摘要】：本文从龚贤的生平出发会引出他的艺术本源——艺术思想和他的艺术表现方式——积墨法。其中包括龚贤三个艺术时期的积墨法的特点，和他的艺术思想。本文从宏观着手，阐述他的艺术特点和艺术历程来全面的了解积墨法。再从他的一副《挂壁飞泉图》入手，用以小见大的方式，具体的来说明龚氏山水积墨法的黑龚时期的特点，半千的构图法的特点和他对古典美学思想中“道”家和“儒”家思想的理解和应用。最后一节讲了龚半千对前人艺术的继承和后人对他的艺术的继承。如对二十世纪山水画产生了深远的影响，，代表人物黄宾虹，李可染都沿袭了他的积墨法。
[Abstract]:This paper, starting from Gong Xian's life, will lead to his artistic origin, his artistic thought and his artistic expression method, which includes the characteristics of the ink accumulation method in Gong Xian's three artistic periods, and his artistic thought. Expounding his artistic characteristics and artistic course to comprehensively understand the ink accumulation method. Then starting with his "hanging Wall Feiquan Picture", using a small part to see the whole way, concretely explaining the characteristics of the Black Gong period of Gong's mountain and water ink accumulation method. The characteristics of half-thousand composition and his understanding and application of "Tao" and "Confucianism" in classical aesthetic thoughts. In the last section, the inheritance of the art of the predecessors and the inheritance of his art by later generations are discussed in the last section. Century landscape painting had a profound impact, Huang Binhong, the representative figures, Li Keran all follow his ink accumulation method.
【学位授予单位】：云南艺术学院
【学位级别】：硕士
【学位授予年份】：2014
【分类号】：J212

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