杜布菲绘画及其艺术思想研究
发布时间:2018-03-26 02:15
本文选题:杜布菲 切入点:原生艺术 出处:《山西师范大学》2017年硕士论文
【摘要】:“原生艺术”是二十世纪重要的艺术思潮之一,其重要代表人物是法国著名的艺术家杜布菲。本文从杜布菲的生平谈起,梳理了杜布菲对“原生艺术”理念的探索、发展以及形成独特的艺术风格等过程,重新定位杜布菲的艺术史、文化史地位。之后,本文着重论述原生艺术理念与中国传统艺术精神的某种“相通性”、“契合点”,最后总结出原生艺术理念对当下绘画艺术发展的意义与启示。艺术的发展是人类精神境界进步的一种体现,就艺术家来说,如果想要使得艺术一直朝着持续、健康方向的发展,则必须认真地探求人类精神进步的根本动力和艺术的本质与本源。鉴于此,“原生艺术”就具备了给予充分研究的必要。杜布菲的“原生主义”是对第二次世界大战后社会文明发展与人类内心负面因素两者的反抗,更是对传统观念与艺术家心灵枷锁的一次批判。他的思想在西方现当代绘画发展中有着积极的意义,丰富了绘画色彩、形式、美感的内涵与外延,拓宽了艺术家的创作视野。杜布菲将一生都献给了对“原生艺术”的不懈探索、研究当中,身体力行地将这种艺术精神付诸实践,并取得巨大的艺术成就。他的理论与实践不仅使“原生艺术”在艺术史中拥有了重要地位,而且将其置于当下的历史语境中愈加有价值。因为,在当下中西方艺术互相交流甚至互有取法之际,对杜布菲原生艺术观念和艺术实践的探究以及将其与中国传统文人画视阈下的比较,则显得十分有必要。杜布菲提出的“原生主义”这一主张,在于追求艺术与人心灵之间的神秘联系,以探求艺术的本真面目。杜氏“原生艺术”观点的提出,其价值在于对“什么是艺术的本真”进行了深刻探讨。此外,通过对原生艺术的理念的剖析,并得出其与中国古典美学精神的相通之处。在中国古典美学中无论是从对“道家”、“儒家”、“禅宗”的追求,还是从对“言志”、“抒情”、“写意”的崇尚上来讲,都归根于对“本真”的内心追求。以此可以看出,杜布菲虽然是西方的艺术大师,但其以原生主义为核心的思想内涵却与中国的古典美学思想在某种程度上有“同曲同工”之妙。艺术思想的互通是没有国界的。本文中,将主要从杜布菲这一艺术家的艺术发展和艺术成就展开研究和阐述,并有意去寻找中国古典美学与杜布菲美学观念的契合点,通过对两者的对比来进行学术探讨和论证,将杜布菲的艺术思想观念达到更深入的了解,论述的同时使两者对“本真”追求的内涵上达到共鸣,并对“艺术关于本真”这一问题于艺术的重要性加以陈述,最后引出绘画艺术现阶段的发展和杜布菲原生主义对艺术界的影响,并加以阐述。
[Abstract]:"Native Art" is one of the most important artistic trends in the 20th century, and its important representative figure is the famous French artist Duffy. This article begins with Duffy's life and combs Duffy's exploration of the idea of "original art". In the process of developing and forming a unique artistic style, Dubofi's art history and cultural history were redefined. In this paper, the author mainly discusses some "similarities" and "joint points" between the concept of original art and the spirit of Chinese traditional art, and finally sums up the significance and enlightenment of the concept of original art to the development of contemporary painting art. The development of art is the human spirit. A manifestation of progress in the realm, As far as artists are concerned, if you want to keep art in the direction of sustainability and health, In view of this, the "native art" has the necessity to give a full study. Duffy's "originalism" is the second great world. The development of social civilization after the war and the resistance of the negative factors in the human heart, His thoughts have positive significance in the development of modern and contemporary western painting, and enrich the connotation and extension of painting color, form and aesthetic feeling. Duffy devoted his whole life to the unremitting exploration of "original art". In the course of his research, he put this artistic spirit into practice. And made great achievements in art. His theory and practice not only made "native art" important in art history, but also placed it in the present historical context. At present, when the Chinese and western arts communicate with each other and even have their own methods, the author probes into Duffy's original artistic concept and art practice, and compares it with the traditional Chinese literati painting. It is very necessary to pursue the mysterious connection between art and human mind, and to seek the true face of art. Its value lies in the deep discussion of "what is the truth of art". In addition, through the analysis of the concept of original art, In Chinese classical aesthetics, whether from the pursuit of "Taoism", "Confucianism", "Zen", or from the "ambition", "lyric", "freehand brushwork", All are rooted in the inner pursuit of "authenticity". From this, we can see that Duffy is a Western master of art, But its ideological connotation, which is centered on originalism, is to a certain extent "identical to the same work" with Chinese classical aesthetics. There is no national boundary for the intercommunication of artistic thoughts. It will mainly study and expound the artistic development and achievement of Duffy as an artist, and will seek the point of convergence between Chinese classical aesthetics and Duffy's aesthetic concept, and make academic discussion and argumentation through the comparison of the two. In this paper, Duffy's artistic ideas and concepts are further understood, and the connotation of the pursuit of "true" is resonated with both of them, and the importance of "art on authenticity" in art is also stated. At last, the development of painting art and the influence of Duffy's nativism on art circle are introduced.
【学位授予单位】:山西师范大学
【学位级别】:硕士
【学位授予年份】:2017
【分类号】:J205
【参考文献】
相关期刊论文 前1条
1 莫芷;;让·杜布菲作品及相关原生艺术风格研究[J];大众文艺;2013年08期
,本文编号:1665886
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