当代中国油画中“黑白灰”现象的研究

发布时间：2018-03-28 17:40

本文选题：中国油画　切入点：“黑白灰”现象　出处：《扬州大学》2013年硕士论文

【摘要】：“黑白灰”单色调是中国当代艺术中的一笔重要财富,从“八五新潮”时期的出现,到新世纪的现在,已经经历近30年,仍保持着其艺术的独立性以及同现实社会的距离和张力,始终成为相当数量的具有批判性和先锋性艺术家艺术实践的主动的重要选择。这表明“黑白灰”有着广袤而丰富的民族基础,符合中国人审美文化和现实创作的需要。本文主要以中国现代油画“黑白灰”形成、发展进程为脉络,重点研究运用“黑白灰”创作出有代表性作品的画家的艺术思想的演变以及绘画风格的演变特征等。揭示中国现代油画“黑白灰”出现的本质——与时代互动产生的。以启示年轻的美术工作者,不要墨守成规,只有自主的创造和对既有各种传统规则的突破,并且与时代互动,才能使艺术有所创新。
[Abstract]:The single tone of "black and white gray" is an important asset in Chinese contemporary art. From the emergence of the "eighth five year trend" period to the present time of the new century, it has been going through nearly 30 years. Still maintaining its artistic independence, as well as its distance and tension from the real world, Has always been a significant number of critical and avant-garde artists active and important choice of artistic practice. This shows that "black and white gray" has a vast and rich national foundation, It meets the needs of Chinese aesthetic culture and realistic creation. This paper mainly takes the "black and white gray" of modern Chinese oil painting as the context of its development. Emphasis is placed on the study of the evolution of the artistic thought and the evolving characteristics of the painting style of the painters who use "Black and White Grey" to create representative works. It reveals the essence of the emergence of "Black and White Grey" in modern Chinese oil painting-the interaction with the times. To enlighten young art workers, Only by creating and breaking through all kinds of traditional rules, and interacting with the times, can the art be innovated.
【学位授予单位】：扬州大学
【学位级别】：硕士
【学位授予年份】：2013
【分类号】：J213

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