石涛“一画”论浅析

发布时间：2018-03-29 01:22

本文选题：一画　切入点：一画之原理　出处：《中国艺术研究院》2014年硕士论文

【摘要】：石涛工诗文,书画兼擅,尤长山水,兰竹亦佳。石涛同时又是一位杰出的绘画理论家,所撰《画语录》是中国古代绘画理论的经典之作。石涛的画学理论无论是对分析总结中国古代绘画的艺术经验,还是对当下国画创作进行指导,均有极其重要的借鉴意义。同时,石涛的画论又极具理论张力,其精骛八极、心游万仞式的神思,大胆创新的艺术精神,对后世力图变法求新的画家有着极大的影响。虽然前贤今人在石涛画论研究方面取得了许多重要成果。但是,仍存有一些难点、疑点问题,有待进一步探索。这突出表现在：石涛画论研究仅仅局限于《画语录》文本研究,甚少涉及石涛的绘画实践,更少触及“一画”说与其绘画语言之间的联系。因之,会通其绘画理论与绘画实践的关系无疑有着极其重要的意义。论文共分为五个部分：绪论概括研究现状及“一画论”的哲学背景；第一章“‘一画’之原理”从“一画之法,乃我自立”、“先受而后识”、“蒙养与生活”等几个方面展开论述；第二章“‘一画’之法度”从“笔之于皴,开生面也”、“落实到皴法”、和“兼字”等两个角度进行说明；第三章略论“一画论”的影响；结语则总括“一画论”的特色及成就。
[Abstract]:Shi Tao is also an outstanding painting theorist who wrote the quotation of painting, which is a classic work of ancient Chinese painting theory. Shi Tao's theory of painting is of great significance for both analyzing and summing up the artistic experience of ancient Chinese painting and guiding the creation of contemporary traditional Chinese painting. At the same time, Shi Tao's theory of painting has great theoretical tension, and he concentrates on the eight poles. The spirit of intrepid spirit and bold innovation have great influence on the painters who strive to reform and seek new ways. Although many important achievements have been made in the study of Shi Tao's painting theory, there are still some difficulties and doubts. This outstanding manifestation is that the study of Shi Tao's painting theory is limited to the study of the text of "painting Quotations", rarely involving Shi Tao's painting practice, and less touching on the relationship between the "one painting" theory and its painting language. It is of great significance to understand the relationship between painting theory and painting practice. The thesis is divided into five parts: the introduction summarizes the present research situation and the philosophical background of "one painting theory", the first chapter "the principle of one painting" from "the method of one painting, it is my independence", "first to receive and then to know", "to cultivate and live" and so on. The second chapter, "the law of one painting", explains from two angles: "brush is chapped, the face is opened", "implement to chapping method" and "double character"; chapter three briefly discusses the influence of "one painting theory"; the conclusion summarizes the characteristics and achievements of "one painting theory".
【学位授予单位】：中国艺术研究院
【学位级别】：硕士
【学位授予年份】：2014
【分类号】：J212

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