晋南地域文化的视觉华章—新绛稷益庙壁画艺术研究

发布时间：2018-03-29 03:29

本文选题：晋南　切入点：地域文化　出处：《太原理工大学》2014年硕士论文

【摘要】：壁画是人类生产和生活的需要,是人类文明在不断演变和发展的过程中文化艺术成果的直接反映,体现着不同的历史阶段的文化发展的演进过程,是人类思想的艺术结晶,具有丰富的文化内涵,因此,在中国各地遗存保留的古代壁画,无论其题材内容,还是其艺术表现形式,都清晰而深刻的折射出中国各地丰富而浓郁的地域文化色彩。山西晋南是中华灿烂文明的源头,是人类最早生存繁衍的地方,这里是中华先民最早进入农耕文明的区域之一,其历史久远,文化艺术积淀深厚,历史文物和艺术遗迹众多。从目前国内保存下来的古代壁画中,山西约占有27300余平方米,尤其在山西晋南地区现存元、明时期壁画最多。题材多样,规模宏大。在晋南几千年的文化传统中,其特有的地域特征和人文历史条件,使得晋南壁画艺术精彩纷呈。其中,新绛稷益庙壁画不仅是明代壁画的精品,而且其独特的题材内容与艺术风格,体现出晋南这一地域丰富的人文内涵和地域文化特征。本文将通过对晋南地域文化特征与新绛稷益庙壁画的内容与艺术风格进行研究和考证,探讨稷益庙壁画和其地域文化之间的联系,并通过与同时代、同地域的其它代表性壁画的比较中突显稷益庙壁画在表现地域文化方面的独特性与典型性,采用以小见大的方式探寻中国民间地域文化对中国传统壁画的影响,最后回归到稷益庙壁画以艺术的形式彰显文化途径的因素。提出并呼吁当下社会对这一珍贵的民族文化艺术遗产进行研究和继承。
[Abstract]:Murals are the needs of human production and life, the direct reflection of cultural and artistic achievements in the continuous evolution and development of human civilization, the evolution process of cultural development in different historical stages, and the artistic crystallization of human thought. Because of its rich cultural connotation, the ancient murals preserved in various parts of China, whether its subject matter or its artistic expression form, clearly and profoundly reflect the rich and rich regional culture color in various parts of China. Shanxi Jinnan is the source of brilliant Chinese civilization and the earliest place for human survival and reproduction. It is one of the earliest areas where Chinese ancestors entered the agricultural civilization. It has a long history and a deep accumulation of culture and art. There are many historical relics and artistic relics. Among the ancient murals preserved in China at present, Shanxi occupies more than 27300 square meters, especially in the existing Yuan Dynasty in the southern part of Shanxi, with the largest number of murals in the Ming Dynasty. In the cultural tradition of South Shanxi for thousands of years, its unique regional characteristics and cultural and historical conditions make the art of the murals of Jinnan colorful. Among them, the frescoes of Xinjiang Jiyi Temple are not only the fine works of the murals of the Ming Dynasty. Moreover, its unique theme and artistic style reflect the rich humanistic connotation and regional cultural characteristics of southern Shanxi. Through the research and textual research on the regional cultural characteristics of Jinnan and the content and artistic style of the frescoes of the new Jiang Jiyi Temple, this paper discusses the relationship between the murals of Jiyi Temple and its regional culture, and through the same period, The comparison with other representative murals in Jiyi Temple highlights the uniqueness and typicality of Jiyi Temple murals in expressing regional culture, and explores the influence of Chinese folk regional culture on Chinese traditional murals through a small part of the whole. Finally return to Jiyi Temple frescoes in the form of art to highlight the cultural approach of the factors and propose and appeal to the present society to carry out research and inheritance of this precious national cultural and artistic heritage.
【学位授予单位】：太原理工大学
【学位级别】：硕士
【学位授予年份】：2014
【分类号】：J218.6

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