“南陆北李”山水画艺术风格之比较研究

发布时间：2018-03-30 10:01

本文选题：陆俨少　切入点：李可染　出处：《重庆大学》2014年硕士论文

【摘要】：本文对陆俨少与李可染的山水画艺术风格进行比较研究，，原因在于他们是二十世纪举世闻名的山水画大家，在中国画坛有着举足轻重的地位。考量一个艺术家能否代表某个时代，不仅在于其艺术成就的高低，还有就是社会对他们的接纳认可。文章以陆俨少与李可染的山水画艺术风格为研究对象，就二人山水画艺术风格形成因素、山水画章法特征、笔墨形式、创新观念等方面进行一系列的比较研究。他们的艺术风格以及山水画的革新思想对当代中国画坛产生了巨大的影响，他们取得的艺术成就也被后人所敬仰。通过对陆俨少、李可染山水画发展历程的研究，可以看出虽然二人同属一个时代，但由于他们所处家庭环境、师承影响、社会关系以及个人性格等主客观因素的不同，致使二人山水画艺术风格存在一定差异，并且分属南北两派山水画的代表人物。但纵观陆俨少、李可染成功的艺术道路，可以总结出他们都是通过对传统的辩证承袭，对造化的深入探索以及与时俱进的创新思想来成就艺术之路的。文章力图通过比对陆俨少、李可染山水画艺术风格的共同性与差异性并结合二人成功的山水画艺术道路，为当代中国山水画前进发展提供指向性引导，并论证在当今社会环境日益复杂、浮躁的气氛中，画家们需通过对前人成功的艺术道路进行研究并加以总结，结合自身特点与中国画的发展规律，正确对待中国山水画的前进发展，以展现出中国画的真正的魅力、生命力，完成时代赋予我们的历史使命。
[Abstract]:This paper makes a comparative study on the artistic style of landscape painting between Lu Yanshao and Li Keran, because they are world-famous landscape paintings in the 20th century, and play an important role in the Chinese painting world.Whether an artist can represent an era is not only due to their artistic achievements, but also to the acceptance of them by society.Their artistic style and the innovative thought of landscape painting have had a great influence on the contemporary Chinese painting world, and their artistic achievements have also been respected by later generations.Through the study of the development of Lu Yanshao and Li Keran landscape painting, we can see that although they belong to the same era, they are different in subjective and objective factors, such as their family environment, the influence of the teacher, the social relationship and the personal character, etc.As a result, there are some differences in the artistic style of landscape painting, and belong to the representative figures of the two schools of landscape painting.However, looking at Lu Yanshao's successful art path, we can conclude that they have achieved the art road through the dialectical inheritance of tradition, the deep exploration of creation and the innovative thought of keeping pace with the times.By comparing the commonality and difference of the artistic styles of Lu Yanshao and Li Keran, and combining the two successful art paths of landscape painting, the article tries to provide a directional guide for the development of contemporary Chinese landscape painting.And demonstrate that in the increasingly complex and impetuous atmosphere of today's social environment, painters need to study and summarize the successful art paths of their predecessors, combining their own characteristics with the development law of Chinese painting.To correctly treat the development of Chinese landscape painting, to show the real charm and vitality of Chinese painting, to complete the historical mission entrusted to us by the times.
【学位授予单位】：重庆大学
【学位级别】：硕士
【学位授予年份】：2014
【分类号】：J212

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