从达芬奇，莫奈的作品看西方绘画中光影与形体的博弈

发布时间：2018-04-01 11:03

本文选题：油画　切入点：光影　出处：《陕西师范大学》2014年硕士论文

【摘要】：在整个艺术历史发展中,“光线”与“形体”之间相互关联与相互博弈的过程从某种程度上来说就是一部绘画活的发展史,很多文献研究都会从透视,色彩的冷暖,构图,风格等角度来研究绘画。但笔者认为这是绘画的本质所衍生出来的因素,所有与绘画有关的问题都是由“光影”和“形体”所展开的。研究绘画中“光影”与“形体”之间的历史关系恰似孕育生命,用十个月的时间在孕妇的身体里完成了上亿年的进化。本人先从绘画的萌芽起始阶段到古希腊美术的出现作为绘画形体与光影形成的初期铺垫,引出文艺复兴阶段对于绘画的发展成熟起着至关重要的做用,并分析不同时期以达芬奇为代表的大师对于光影形体之间的结合与博弈所作出的实际理论与贡献,再因为科技和人文背景发展出现的以莫奈为代表的印象派崛起对于绘画光影与形体之间新的认识。在笔者浅薄的认识中以达芬奇为代表的古典主义绘画思想与莫奈所代表的印象派思潮分别是两个关于新的绘画理论伟大开端的创始人物,也有人认为塞尚作为现代绘画之父也是有原因的,对塞尚关于形体重新的解构也做了一定阐述。对于笔者来说,研究这样一个课题对于绘画的学习是非常有意义的,通过对历史的梳理提高对油画更深刻的认识。
[Abstract]:In the whole development of art history, the process of interrelation and game between "light" and "form" is, to some extent, a living history of painting. Style and other angles to study painting. But I think this is the essence of painting derived from the factor, All the problems related to painting are carried out by "light and shadow" and "form." the study of the historical relationship between "light and shadow" and "form" in painting is like giving birth to life. It took me ten months to complete hundreds of millions of years of evolution in the body of a pregnant woman. I began with the beginning of the beginning of painting and the appearance of ancient Greek art as the initial paver for the formation of form and light and shadow. This paper draws out that the Renaissance stage plays an important role in the development and maturity of painting, and analyzes the actual theory and contribution made by the masters represented by Leonardo da Vinci in different periods to the combination and game between the light and shadow bodies. The rise of the Impressionist School represented by Monet in the development of science and technology and the humanities background gives a new understanding of the relationship between light and figure of painting. Classical painting thought represented by Leonardo da Vinci and Mo in the author's shallow understanding. The Impressionist thoughts represented by Nye were the founders of two great beginnings of the new painting theory. Some people also think that Cezanne, as the father of modern painting, also has a reason to expound Cezanne's deconstruction of the body. To the author, it is very meaningful to study such a subject for the study of painting. Through the history of the comb to improve the oil painting more profound understanding.
【学位授予单位】：陕西师范大学
【学位级别】：硕士
【学位授予年份】：2014
【分类号】：J205

【共引文献】