写生入神—北宋花鸟画“写生”观与我的创作实践

发布时间：2018-04-02 17:39

本文选题：北宋花鸟画　切入点：写生　出处：《苏州大学》2014年硕士论文

【摘要】：写生是画家创作的基础，是作画者对自然感悟和认识的过程。北宋花鸟画的“写生”观主张用自己的生命、情感去感受、去体验，在深入细致观察物象形体特征的基础上，表现物象的自然美和神韵美，并由此带给大家生命的感动。一件优秀的艺术作品，只有将画家对自然本真美的追求与对永恒生命的追求相结合起来表现时，才能达到形神兼备，所以，写生须入神。在当今的花鸟画创作中，很多人不深入自然，不重视写生，创作的内容东拼西凑，无法表达真情实感，也很难打动观者，还有些画家甚至不注重基本功训练，，追求所谓的“变形”、“写意”，作品经不起推敲，那自然也达不到“形神兼备”的至高境界。所以我们要重视写生，只有“用心感悟”，“外师造化”，才能“中得心源”；只有“以形写神”，才能达到“写生入神”。
[Abstract]:Sketching is the foundation of painter's creation and the process of painter's understanding of nature.The "sketching" view of the Northern Song Flower and Bird painting advocates to use one's own life, emotion to feel, to experience, to express the natural beauty and the charm beauty of the object image on the basis of deeply and meticulously observing the physical characteristics of the object image, and thus to bring to everyone the emotion of life.An excellent work of art, only when the artist's pursuit of natural beauty and the pursuit of eternal life together, can achieve both form and spirit, so, painting must be absorbed in spirit.In today's flower-and-bird painting, many people do not go deep into nature, do not attach importance to sketching, make up the contents of the creation, can't express their true feelings, they can hardly impress the viewer, and some painters don't even pay attention to the training of basic skills.The pursuit of so-called "deformation", "freehand brushwork", the works can not withstand scrutiny, which naturally can not achieve "both form and spirit."Therefore, we should attach importance to sketching. Only by "feeling with the heart" and "creating by an outside teacher" can we "get the source of the mind" and "write the spirit in the form" to achieve the goal of "drawing into the mind."
【学位授予单位】：苏州大学
【学位级别】：硕士
【学位授予年份】：2014
【分类号】：J212

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