象征性的“在

发布时间：2018-04-02 16:39

本文选题：西方　切入点：自画像　出处：《美术》2017年07期

【摘要】：在今天的绘画艺术门类中,自画像已成为一个重要的组成部分,在西方世界中,对自画像的研究,无论形式方面还是对其进行本质分析,都已趋于成熟。在作品中留下自己的痕迹,是从艺术创作之初就开始出现的:由签名到具有身份象征意义的一般人物形象再到写实性的肖像,最终发展到以自我表现为绘画主题的独立自画像。至晚从中世纪到文艺复兴开始,作为肖像画的一种,自画像越来越多地受到艺术家与艺术收藏者们的青睐。尽管那时尚未出现"自画像"这一专有名词,但艺术家表现自身形象的诉求已然随着"自我"意识的觉醒越来越强。
[Abstract]:In today's painting art category, self-portrait has become an important part. In the western world, the study of self-portrait, whether in form or in essence, has become mature.From the beginning of artistic creation, it began to appear: from signature to general character image with status symbol, to realistic portrait, and finally to independent self-portrait with self-expression as the subject of painting.From the Middle Ages to the Renaissance, self-portraits are increasingly popular among artists and art collectors.Although there was no proper term "self-portrait" at that time, the desire of artists to express their own image had become stronger and stronger with the awakening of "self" consciousness.
【作者单位】：中国美术学院;
【分类号】：J205

【相似文献】