结合水彩风景写生谈对建筑水彩的体会

发布时间：2018-04-03 09:26

本文选题：建筑　切入点：建筑水彩　出处：《内蒙古师范大学》2013年硕士论文

【摘要】：建筑水彩的雏形出现在欧洲“地形画”的问世，是18世纪水彩风景画的重要组成部分，19至20世纪建筑水彩风景画得到快速发展，这一时期涌现出众多的画家，在我国老辈画家关广志、李剑晨等为建筑水彩的发展做出巨大贡献，在实践与理论上有着指导性的意义。作为实用功能的载体，建筑有其鲜明的特点，建筑师笔下的水彩也有别于以个人主观情感为主的艺术性水彩，职业的不同造就了这种差异，但两者互为依存，，建筑水彩又作为一只生力军力量为其注入新鲜血液。建筑水彩写生很大程度上是基础的反映，打好基础才能画出有质量的创作。
[Abstract]:The embryonic form of architectural watercolor appeared in the appearance of "topographic painting" in Europe. It was an important part of watercolor landscape painting in the 18th century and the architectural watercolor landscape painting developed rapidly from 19th to 20th century. Many painters emerged in this period.The old painters Guan Guangzhi and Li Jianchen have made great contributions to the development of architectural watercolor, which is of guiding significance in practice and theory.As the carrier of practical function, architecture has its distinctive characteristics. The watercolor in architect's works is also different from the artistic watercolor, which is based on individual subjective emotion. The difference of profession makes this difference, but the two are interdependent.Construction watercolor as a new force into its fresh blood.Architectural watercolor painting is to a large extent a reflection of the basis, lay the foundation to draw a quality of creation.
【学位授予单位】：内蒙古师范大学
【学位级别】：硕士
【学位授予年份】：2013
【分类号】：J215

【共引文献】