赵无极绘画笔触的研究

发布时间：2018-04-03 11:55

本文选题：赵无极　切入点：笔触　出处：《重庆师范大学》2017年硕士论文

【摘要】：赵无极是20世纪的现代绘画大家,其作品盛名国际。在中西两种文化的影响下,其油画作品后期彰显出东方文化的意境美。本文通过对赵无极绘画笔触的探讨,以此论述其绘画的价值,透过笔触的层面深思其背后的中西文化。笔触属于绘画基本语言之一,有多样的艺术效果呈现。抽象绘画的作品内容,往往直接呈现绘画基本要素-点、线、面。直接、纯粹的绘画语言更能直观反映画家本人意图和审美趣味。赵无极不同阶段的艺术观念进而产生不同样式的艺术表现形式。其中西结合的运笔和技法使用,背后都离不开文化这一本质概念的影响和思考。本文主要分五个部分进行论述。第一部分为绪论,主要是提出关于选题问题,指出研究的目的、意义、主要难点;通过背景和研究现状入手,引出本篇论文选题的定位思考;第二部分总体阐述了赵无极绘画笔触的演变,一部分是画面形式上呈现的演变,另一部分是形式延变背后赵无极在艺术观点上的思考,观念与形式的对接才能全面探讨赵无极的审美及其他相关性;第三部分通过具体分析赵无极绘画笔触的形成及运笔方式,对赵无极绘画作了较系统的剥析;第四部分概括出赵无极绘画笔触的特征形式;第五部分重点探讨两个层面,其一对于赵无极本人绘画创作艺术样式形成的思考,区分笔触有意识和无意识在创作中存在的可能性问题。其二,分别从观念、运作上思考,赵无极绘画创作对当下绘画的启示。赵无极有中西文化的背景,进而养成了不同的艺术观念和绘画方式,产生了不同的笔触形式,笔触形态的不同,又呈现出不同的艺术意味,这种意味又反衬着中西文化。全文联系画家本人的艺术观念,思维方式,探究其抽象画面的构成语言。一是对赵无极个体画面中笔触形式语言的探讨,其二则是寄托纯粹形式美的探讨能益于不同形式的多种创作,进而思考文化与语言形式之间的关系。
[Abstract]:Zhao Wuji is a modern painting in the 20 th century, whose works are famous in the world.Under the influence of Chinese and Western cultures, his oil paintings reveal the artistic conception of oriental culture.This paper discusses the value of Zhao Wuji's painting and reflects on the Chinese and Western culture behind it.Brush strokes belong to one of the basic languages of painting, and have various artistic effects.Abstract painting content, often directly presents the basic elements of painting-point, line, surface.Direct, pure painting language can more intuitively reflect the painter's own intention and aesthetic taste.Zhao Wuji's concept of art in different stages produced different forms of artistic expression.The combination of Chinese and Western pen and techniques can not be separated from the influence and thinking of the essential concept of culture.This article is mainly divided into five parts to discuss.The first part is the introduction, which mainly points out the purpose, significance and difficulty of the research, and points out the orientation of the topic through the background and the current research situation.The second part expounds the evolution of Zhao Wuji's painting strokes, one part is the evolution of the form of the picture, the other part is the reflection of Zhao Wuji's artistic point of view behind the extension of the form.The third part makes a systematic analysis of Zhao Wuji's painting through the concrete analysis of the formation of Zhao Wuji's brush strokes and the way of carrying pen.The fourth part generalizes the characteristic form of Zhao Wuji's painting strokes, the fifth part focuses on two aspects, one is the reflection on the formation of Zhao Wuji's own artistic style of painting creation,It distinguishes between the possibility of conscious and unconscious writing.Second, from the concept, the operation of thinking, Zhao Wuji painting on the current inspiration.Zhao Wuji had the background of Chinese and Western culture, and then formed different artistic concepts and painting methods, which resulted in different strokes, different strokes and different artistic connotations, which contrasted with Chinese and Western cultures.The full text relates the artist's own artistic idea, the way of thinking, explores its abstract picture constitution language.One is the discussion of the formal language of strokes in Zhao Wuji's individual picture, the other is that the discussion of pure formal beauty can benefit many kinds of creation in different forms, and then consider the relationship between culture and language form.
【学位授予单位】：重庆师范大学
【学位级别】：硕士
【学位授予年份】：2017
【分类号】：J205

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