明代人物画研究

发布时间：2018-04-05 08:53

本文选题：人物画　切入点：浙派　出处：《曲阜师范大学》2015年硕士论文

【摘要】：从中国绘画史的发展过程来看,人物画成熟较早,花鸟和山水随后兴起,人物画逐渐衰退是在隋唐全盛时期以后,宋元时期的山水画、花鸟画在当时相对来说较为发达,宋元时期的传统被明代绘画所传承下去,山水画、花鸟画流派相当之多,各种体系、成就显著,然而在这一时期的人物画也有一定发展。从明代初期以戴进为领军人物,还有主将吴伟等人的“浙派”兴起,他们吸取了前人优秀的绘画传统然后融汇自己的风格、元素,为明代人物画的发展做出了突出的贡献;进而到明代中叶,浙派日渐衰落,代之而起的是“吴门派”,这一流派以沈周为领袖,文征明相继而起,在当时也有很多追随的文人涌现出来,然而唐寅和仇英那时同样生活在苏州,他们二人也是以绘画著称,后来和沈周、文征明被称为“吴门四家”,他们的绘画各有特色,在某种意义上来说,明代人物画在即将衰落和具有弊端的时期得以恢复和振兴,然而也为以后的中国画发展历程产生了重要的影响。明代晚期涌现出来的画家代表有崔子忠、陈洪绶等,由于他们所处的时代及社会背景的不同造就了他们各具特色的绘画风格,他们风格迥异,有的古雅、怪诞,有的夸张、变形,从而形成了晚期绘画作品变化十分丰富的局面;在中国人物画的绘画语言领域,他们的这种变异的画风为人物画整个发展过程起到了铺垫的作用。同时在明末中国画坛产生了相当重大的影响,也为了当时的清代乃至今天的人物画奠定了重要的基础。本文力图从明代初、中、晚三个时期来对人物画进行分析研究,列举每个时期具有代表性的画家,通过绘画作品来解析当时绘画风格同时研究明代人物画对我们整个绘画发展都有着积极重要的作用。
[Abstract]:From the point of view of the development of Chinese painting history, figure painting matured early, flowers and birds and landscape subsequently rose, figure painting gradually declined after the Sui and Tang dynasties, Song Dynasty period, Song Dynasty period landscape painting, flower and bird painting was relatively developed at that time.The tradition of the Song and Yuan dynasties was passed down by the Ming Dynasty painting. There are quite a lot of landscape painting, flower and bird painting schools, various systems, remarkable achievements, but in this period, the figure painting also has certain development.From the beginning of the Ming Dynasty, Dai Jin was the leading figure, as well as the "Zhejiang school" of Wu Wei, who absorbed the outstanding painting tradition of the predecessors and fused their own style and elements, which made outstanding contributions to the development of the figure painting of the Ming Dynasty.Then in the middle of the Ming Dynasty, the Zhejiang school gradually declined, and instead of the "Wu Men School", this school took Shen Zhou as the leader, and the Wenzheng and Ming dynasties emerged one after another. At that time, a lot of literati who followed him emerged.However, Tang Yin and Qiu Ying also lived in Suzhou at that time. They were also famous for painting. Later, with Shen Zhou, Wen Zhengming was called the "Wu Men four families." their paintings had their own characteristics, in a certain sense.Figure painting of the Ming Dynasty will soon decline and have its drawbacks to be restored and revitalized, but also for the development of Chinese painting in the future has had an important impact.The painters who emerged in the late Ming Dynasty included Cui Zizhong, Chen Hongshou, and so on. Due to the different times and social backgrounds in which they lived, they had their own unique painting styles. They had very different styles, some of them were quaint, grotesque, and some exaggerated.In the field of painting language of Chinese figure painting, their variant painting style has played a role in laying the groundwork for the whole development process of figure painting.At the same time, in the late Ming Dynasty, the Chinese painting world had a considerable impact, but also for the Qing Dynasty and even today's figure painting laid an important foundation.This paper tries to analyze and study the figure painting from the early, middle and late Ming Dynasty, and enumerates the representative painters of each period.It is very important for us to analyze the painting style and study the figure painting of Ming Dynasty.
【学位授予单位】：曲阜师范大学
【学位级别】：硕士
【学位授予年份】：2015
【分类号】：J212

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