作为创作机制的版画方式

发布时间：2018-04-05 11:31

本文选题：技术　切入点：版画方式　出处：《湖北美术学院》2017年硕士论文

【摘要】：从印刷技术作为复制手段进入绘画到形成版画这一独立的艺术形式,经历了漫长的历史。在中国,自1952年中央美术学院建立版画系,全国的美术学院相继成了立版画系或设立版画专业,不过“在当代艺术生态环境下,版画创作者们没有将自己文化身份降至版画技师,也不屑于充当绘画复数的衍生工具,当艺术理想与现实的价值体系产生巨大错位时,内心是非常苦闷的。”更多的时候,这样的苦恼来自于一种自身知识结构的与当下语境的错位。可以看到现象是新技术正在日渐深入的与艺术相互渗透,数字媒介以及各种独特的艺术创作现象与方式,冲击着版画的创作观念。一些艺术家将装置、影像、综合材料的手段植入版画创作中。同样有价值的在于,不仅是向版画的内部引入些什么,“还在于艺术家能否通过版画创作为当代艺术提供富有启示性的思维......”作为机械技术对艺术的最初(也是最直接)介入的版画,本身所固有的艺术与技术间的特殊关系,其对摄影、数字图形等“新媒体”技术的先天兼容性。不要忘记了版画也曾经是隋唐时代的“新媒体”。在数字时代的今天,版画方式的概念应该得到重视。本研究的主要内容是当代艺术家以版画方式创作出来的作品。尝试讨论技术化的当代语境下的版画创作问题。通过对徐冰、大卫霍克尼等艺术家的艺术历程分析,来阐述艺术创作中,并非要以创作一幅版画为目的,也不一定非要强调某种材质,或印刷手段。而可以看作是为一种创作机制,对艺术创作起作用。
[Abstract]:From printing technology as a means of reproduction into painting to forming an independent art form of printmaking, it has experienced a long history.In China, since the Central Academy of Fine Arts established the Department of print in 1952, the National Academy of Fine Arts has successively become a department of lithography or set up a major in printmaking, but "in the ecological environment of contemporary art,Printmakers have not reduced their cultural identity to printmaking technicians, nor have they disdained to be derivatives of the plural of painting. When artistic ideals and the value system of reality are so misplaced, their hearts are very depressed. "More often than not, such distress comes from the dislocation of one's own knowledge structure with the present context.It can be seen that the new technology is increasingly penetrating with art, digital media and various unique artistic creation phenomena and ways, which impact the creative concept of printmaking.Some artists implant devices, images, and synthetic materials into their prints.Equally valuable lies in not only what is introduced into the interior of the print, but also whether the artist can provide enlightening thinking for contemporary art through printmaking.As the original (and most direct) involvement of mechanical technology in art, the special relationship between art and technology inherent in itself, and its innate compatibility with new media technologies such as photography, digital graphics, etc.Do not forget that printmaking was also the Sui-Tang era of the "new media."In the digital age today, the concept of printmaking should be taken seriously.The main content of this study is the works created by contemporary artists in the form of prints.This paper tries to discuss the creation of printmaking in the contemporary context of technicalization.By analyzing the artistic process of Xu Bing, David Hockney and other artists, this paper expounds that the purpose of artistic creation is not to create a print, nor to emphasize a certain material or printing means.It can be regarded as a creative mechanism, which plays an important role in artistic creation.
【学位授予单位】：湖北美术学院
【学位级别】：硕士
【学位授予年份】：2017
【分类号】：J217

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