宋代工笔花鸟画与十七世纪西方静物画的比较研究

发布时间：2018-04-10 07:32

本文选题：宋代工笔花鸟画　切入点：十七世纪西方静物画　出处：《湖南师范大学》2013年硕士论文

【摘要】：宋代工笔花鸟画和十七世纪西方静物画是中西方绘画史上的美丽瑰宝,在其各自的绘画园地中占有重要的历史地位。宋代工笔花鸟画生动自然,工致周密,笔精色妙,意境清雅,境界深远,深刻的影响了元明清和近现代的工笔花鸟画创作。而十七世纪西方静物画以其与宋代工笔花鸟画完全不同的写生方式、科学理性的观察方法,以及客观严谨的构图方法和解剖透视法,并以华丽的色彩做为表现手段,而形成了一种独具一格的绘画样式。这两种题材所追求和反映到：一个是生动自然一个是严谨科学,一个是物我为一一个是物我两分,一个是折枝花一个是“折枝花”,有着众多明显的差异。在世界经济全球化,中西方文化交流日益频繁的前提下,本文试图在前人的研究基础上,对宋代工笔花鸟画和十七世纪西方静物画中的写生,构图,设色,以及工具材料和画面情感内涵等方面进行比较研究,以及宋代工笔花鸟画在理学尤其是“格物致知、格物穷理”等思想的影响下所呈现的自然生动、天人合一、物我为一的生命观和十七世纪西方静物画在解剖学、植物学、透视法等科学理念影响下的所呈现的客观真实、严谨科学、物我两分的生命观的比较研究。宋代工笔花鸟画和十七世纪西方静物画都是世界艺术之林的美丽奇葩。宋代工笔花鸟画是画家主观意趣的表达,体现了物我为一的生命观,画面形象笔精色妙,自然生动；十七世纪西方静物画是画家在科学、理性的思想文化影响下,从物体的形状、颜色、质感、空间和比例关系等方面对物体客观再现的描绘。宋代工笔花鸟画和十七世纪西方静物画都是东西方绘画艺术的优秀绘画成果,都值得人们去认真学习和继承；但是,中国画之所以被人们所喜欢所认可,正是因为其具有独特的中国特色,我们可以吸收西方绘画的精华,来更好的继承和发展中国画的中国特色。
[Abstract]:The fine brushwork flower-and-bird paintings of the Song Dynasty and the western still life paintings of the 17th century are beautiful treasures in the history of Chinese and Western painting, and occupy an important historical position in their respective painting gardens.The fine brushwork flower-and-bird painting in Song Dynasty was vivid and natural, meticulous, exquisite, elegant and profound, which deeply influenced the creation of meticulous flower-and-bird painting in Yuan, Ming and Qing dynasties.In the 17th century, the western still life painting had completely different sketching methods, scientific and rational observation methods, objective and rigorous composition method and anatomical perspective method, and took the gorgeous color as the expression means, and the painting was completely different from the meticulous flower-and-bird painting in the Song Dynasty.And formed a unique painting style.The pursuit and reflection of these two subjects are as follows: one is vivid nature, the other is rigorous science, one is material, the other is material, one is floral, the other is "floral", there are many obvious differences.Under the premise of the globalization of the world economy and the increasingly frequent cultural exchanges between China and the West, this paper attempts to draw, compose and color the meticulous flower-and-bird paintings of the Song Dynasty and the western still life paintings of the 17th century on the basis of previous studies.As well as tool material and picture emotion connotation and so on, as well as the Song Dynasty fine brushwork flower-and-bird painting under the Neo-Confucianism, especially under the influence of the thought, such as "the style material causes the knowledge, the style material is poor" and so on, under the influence, the nature is vivid, the nature is in harmony with the human being.Under the influence of the scientific concepts of anatomy, botany, perspective and so on, the comparative study of the view of life presented by the view of life of one and the view of life of the West in the 17th century is of objective truth, rigorous science and two points of life.The meticulous flower-and-bird painting of Song Dynasty and the 17 th century western still life painting are the beautiful flowers of the world art forest.The meticulous flower-and-bird painting of the Song Dynasty is the expression of the painter's subjective interest, which embodies the view of life in which the object is the first, the image of the picture is exquisite, the painting is natural and vivid. In the 17th century, the painting of still life in the West is influenced by science and rational ideology and culture.The objective representation of an object in terms of its shape, color, texture, space and scale.The meticulous flower-and-bird paintings of the Song Dynasty and the still life paintings of the West in the 17th century are outstanding paintings of the East and the West, and are worthy of serious study and inheritance. However, the reason why Chinese paintings are recognized by people is that they like them.It is because of its unique Chinese characteristics, we can absorb the essence of Western painting, to better inherit and develop the Chinese characteristics of Chinese painting.
【学位授予单位】：湖南师范大学
【学位级别】：硕士
【学位授予年份】：2013
【分类号】：J212;J205

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