论唐代仕女画群像图式的“

发布时间：2018-04-10 04:34

本文选题：唐代仕女画　切入点：唐代美学　出处：《东北师范大学》2017年硕士论文

【摘要】：唐代仕女画是工笔人物画时代性转变的标志,它代表着唐代画家绘画观念的转变。同时它也代表着唐代画家的审美意识从传统到创新的转变。唐代仕女画是唐朝的时代性审美标志之一,也是唐朝人民心中理想化审美观念的缩影。唐代女性作为唐代仕女画作品中的主体,唐代女性群体独特的审美观念影响着唐代绘画艺术,正是由于唐代女性本身所拥有的独特魅力的影响下才使唐代绘画艺术够绽放出属于自己的奇异光彩。唐代的绘画作品突出了唐代的精神风貌也展现了唐代美学特征。这既是唐代社会对于女性的重视在视觉美术领域方面的表现也是唐代女性社会地位的体现。唐代仕女画作品反映出唐朝整个国家的经济水平和文化水平,同时展现出唐代画家们在享受悠然富足的日常生活也汲取着时代随之而来的多元文化。就唐代仕女画其艺术特点而言,其蕴含着深厚唐代的美学文化、社会文化和民俗文化。唐代仕女画作品充分的反映出唐代美学圆融性、创造性、时代性、叙事性的艺术特点。同时也代表着唐代画家对于唐朝社会的时代性解读。唐代仕女画所形成的艺术价值和美学价值,是由于历史的发展和社会环境的更迭等多方面因素融合所必然会形成的一种独特艺术样式,并不是偶然形成的艺术样式。它是由于历史发展、社会发展、外来文化的渗透等多方面因素的相互影响与促进从而形成了一种具有社会性的美学效应和美学价值的艺术。唐代仕女画无论是从绘画作品的题材还是从绘画的造型角度都是具有一定共通性的绘画群体。所以将唐代仕女画作为一个拥有共通性的群像图式进行研究,并研究其美学意义和形成这种美学现象的根本原因是具有一定的理论价值和现实意义的。
[Abstract]:The painting of ladies in Tang Dynasty is the symbol of the change of the times of meticulous figure painting, and it represents the change of painting idea of the painter in Tang Dynasty.At the same time, it also represents the change of aesthetic consciousness from tradition to innovation.The painting of ladies in Tang Dynasty is one of the aesthetic symbols of the Tang Dynasty and also the epitome of the idealized aesthetic idea in the people's mind of the Tang Dynasty.As the main body in the painting works of the Tang Dynasty women, the unique aesthetic concept of the female groups in the Tang Dynasty influences the painting art of the Tang Dynasty.It is because of the unique charm of women in Tang Dynasty that the painting art of Tang Dynasty blooms out its own strange brilliance.The paintings of the Tang Dynasty highlight the spirit of the Tang Dynasty and reveal the aesthetic characteristics of the Tang Dynasty.This is not only the expression of the importance of women in the field of visual arts in Tang Dynasty, but also the embodiment of the social status of women in Tang Dynasty.The paintings of ladies in the Tang Dynasty reflect the economic and cultural level of the whole country in the Tang Dynasty, and at the same time show that the painters of the Tang Dynasty are enjoying the leisurely and prosperous daily life and absorbing the multiculturalism that followed by the times.As far as the artistic characteristics of the painting of ladies in the Tang Dynasty are concerned, it contains profound aesthetic culture, social culture and folk culture of the Tang Dynasty.The artistic features of Tang Dynasty aesthetic harmony, creativity, epoch and narration are fully reflected in the paintings of ladies in Tang Dynasty.At the same time, it also represents the interpretation of the Tang Dynasty society by the Tang Dynasty painters.The artistic value and aesthetic value formed by the painting of ladies in the Tang Dynasty is a unique artistic style inevitably formed by the combination of various factors such as the development of history and the change of social environment, and is not an art style formed by chance.As a result of the mutual influence and promotion of many factors such as historical development, social development and infiltration of foreign culture, a kind of art with social aesthetic effect and aesthetic value has been formed.Both from the subject matter of painting works and from the perspective of painting modeling, the painting of the Tang Dynasty is a group of paintings with certain commonality.Therefore, it is of certain theoretical and practical significance to study the painting of ladies in Tang Dynasty as a group image schema with common character, and to study its aesthetic significance and the basic reasons for forming this kind of aesthetic phenomenon.
【学位授予单位】：东北师范大学
【学位级别】：硕士
【学位授予年份】：2017
【分类号】：J212

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