论中国早期画论中的三种传统

发布时间：2018-04-10 14:00

本文选题：文学与艺术 + 诗中有画　；参考：《艺术评论》2017年07期

【摘要】：正文学与艺术都是人类的一种精神性创造。就其根本特质而论,它们并无太多差异,都讲求形象性、审美性、情感性。绘画作为艺术领域中的代表性类型,它与文学的关系异常密切,因而在中国古代有"诗中有画,画中有诗"的论断,充分表明了绘画与文学之间的相通与交融。按照现代文学理论观念,文学被看做是带有相同要素的艺术创作活动。在文学研究中,美国文艺学家M.H.艾布拉姆斯在其名著《镜与
[Abstract]:Both literature and art are spiritual creation of human beings.As far as their basic characteristics are concerned, they are not very different, they all focus on visualization, aesthetics and emotion.As a representative type in the field of art, painting has a close relationship with literature. Therefore, in ancient China, there was a theory that "there is painting in poetry and poetry in painting", which fully shows the intercommunion and fusion between painting and literature.According to modern literary theory, literature is regarded as artistic creation with the same elements.In literary studies, the American literature and art scientist M. H.Abrams in his masterpiece, Mirror and
【作者单位】：河北省保定画院;
【分类号】：J212

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