中国粉画先驱李超士及其艺术

发布时间：2018-04-10 15:26

本文选题：李超士 + 粉画艺术　；参考：《上海师范大学》2014年硕士论文

【摘要】：本文主要通过追本溯源的方式对李超士先生的粉画艺术进行研究。虽然粉画艺术引进到中国已有100多年,但对此方面的研究相对较少。作为一名粉画实践者,希望在这篇论文中尝试对李超士先生其人及其粉画作品进行分析。采用文献研究、资料搜集、对比分析相结合等方法,在阐述李超士其人和求学道路的同时,进一步讨论李超士粉画风格的形成及其特色,从材料角度说明粉画的性质与特性、寻找形成李超士粉画风格可能产生的缘由,归纳李超士作品的艺术特色。最终,探讨李超士粉画语言对中国粉画艺术的影响,梳理一部分师承关系的脉络,以及自身在研究过程中所获得的启示。全文共分为四个章节。第一章,首先对李超士先生其人进行叙述,背景介绍与归纳身世相结合,来论述为人质朴而平实的李超士。第二章,详细阐述李超士的欧洲求学之路,通过将李叔同、李铁夫的艺术道路与李超士先生的艺术道路进行比较,明确李超士坚持的粉画艺术道路。分别从学校教育影响和艺术思想上的影响两部分阐述欧洲求学之路对李超士在粉画风格形成上起到的直接和间接的作用。第三章,主体分析李超士粉画风格的形成及其特色。以材料为切入点,说明粉画材料的优点与表现语言的重要特性,在此基础上,寻找形成李超士粉画风格的原因,本文认为形成李超士风格特色的原因,主要在于：中国传统文化对其风格的影响；西方传统绘画对其风格的影响；李超士本身性情与主观选择的作用。分析五立十年代较成熟时期李超士作品中对粉画绘画语言的表现与运用,总结归纳其风格特色。李超士的艺术特色主要分为三个方面：中国风格的题材与内容；平实无华的画面构图；单纯朴素的用笔用色。第四章,讨论了李超士的粉画语言对中国粉画艺术的影响力。通过对本文的研究,总结出三点结论：第一,李超士是中国粉画的传播者,最先将色粉画艺术从欧洲引入中国。第二,李超士的粉画技法高超,画风平实朴素,对于20世纪中国粉画发展的影响比较大。对李超士的研究不能仅停留在一个方向上进行,而应当通过梳理一条清晰的师承关系脉络为线,通过分析其学生的艺术作品来反映李超士先生对中国粉画艺术的影响。最后,希望通过这个脉络寻找到对当下有借鉴意义的内容,从而推动粉画艺术的发展,使其在观念和语言上得到拓展,启发我们和创造新时代的艺术风格。李超士为中国粉画艺术发展提供有意义的学术基石。此外,是什么决定了他特有的粉画语言,为什么中国文化血脉与西式艺术在他身上并行不悖?以上疑问,本文将逐一通过分析找到答案。
[Abstract]:This article mainly through tracing back to the origin of Mr. Li Chaoshi's painting art.Although the art of pink painting has been introduced into China for more than 100 years, the research on this aspect is relatively few.As a Pink painting Practitioner, I hope to try to analyze Mr. Li's and his Pink painting works in this paper.By using the methods of literature research, data collection, comparative analysis and so on, while expounding Li Suoshi's way of studying and studying, it further discusses the formation and characteristics of Li Chaoshi's pink painting style, and explains the nature and characteristics of the powder painting from the point of view of materials.To find out the possible reasons for the formation of Li Suoshi's Pink painting style and to sum up the artistic characteristics of Li's works.Finally, this paper discusses the influence of Li Chaoshi's painting language on the art of Chinese pink painting, combs the context of part of the teacher-bearing relationship, and the enlightenment gained in the process of his own research.The full text is divided into four chapters.The first chapter, first of all, describes Mr. Li Suoshi, the background of the introduction and induction of life, to discuss the simple and plain Li Suoshi.The second chapter elaborates Li Suoshi's road of studying in Europe. By comparing Li Shutong and Li Tiefu's art road with Mr. Li's art road, the paper clarifies Li Suoshi's art road of pink painting.From the influence of school education and the influence of art thought, this paper expounds the direct and indirect effect of European way of study on the formation of Li Chaoshi's painting style.The third chapter, the main analysis of Li Chaoshi powder painting style and its characteristics.Taking the material as the starting point, this paper explains the advantages of the powder painting material and the important characteristics of the expressive language. On this basis, it finds out the reasons for the formation of Li Chaoshi's style, and the reasons for the formation of Li's style characteristic.It mainly lies in: the influence of Chinese traditional culture on its style; the influence of western traditional painting on its style; the role of Li Chaoshi's temperament and subjective choice.This paper analyzes the expression and application of the painting language of pink painting in Li Chaoshi's works in the mature period of Wuli's decade, and summarizes its style and characteristics.Li Chaoshi's artistic characteristics are mainly divided into three aspects: the theme and content of Chinese style, the composition of plain and unflamboyant picture, and the simple and simple use of pen and color.In the fourth chapter, the influence of Li Suoshi's language on the art of Chinese pink painting is discussed.Through the study of this paper, three conclusions are summarized: first, Li Chaoshi is the propagator of Chinese pink painting, who first introduced the art of toner painting from Europe to China.Second, Li Chaoshi's fine technique and plain style of painting had a great influence on the development of Chinese pink painting in the 20th century.The study of Li Suoshi should not only be carried out in one direction, but also reflect his influence on Chinese pink painting art by combing out a clear line of relationship between teachers and students and analyzing his students' works of art.Finally, I hope to find out the content that has reference meaning to the present through this vein, thus promote the development of the art of pink painting, make it expand in the concept and language, enlighten us and create the artistic style of the new era.In addition, what determines his unique painting language, why Chinese culture and blood and Western art in his body?Above question, this article will find out through the analysis one by one.
【学位授予单位】：上海师范大学
【学位级别】：硕士
【学位授予年份】：2014
【分类号】：J209.2

【参考文献】