山水画艺术的地域性表现研究

发布时间：2018-04-15 10:21

本文选题：山水画风 + 地域性特色　；参考：《中南民族大学》2013年硕士论文

【摘要】：中国山水画的发展和演变是以现实社会及自然景观为依托，故而地域因素是影响山水画风格产生的一个重要基础，这也使得不同地域文化背景下的绘画群体在表现题材、表现语言、审美取向上都具有多样化表现。特别是上世纪新文化运动以来及当今改革开放后学院背景下的写实性绘画教学,使得山水画艺术创作中的地域性得到了前所未有的发展。审视当今画坛,我们可以知道，如今山水画创作审美价值的建构，就是对传统的继承与创新、对当代时代精神的凸显、对个性化的追求，但这些都离不开地域性特征。本文试图从地域入手，揭示地域等因素对山水画风格流派的影响，欲对地域性山水画在当代发展与现状有一个全面的认识，并对笔者地域性绘画毕业创作语言如何创新有所启示。论文的具体章节如下：绪论部分，对研究背景、研究现状与发展趋势进行了论述，第一章，对什么是地域性山水画进行探究，即地域自然环境、地域文化与山水画之间的联系，在明确了概念之后，论证了这种联系具体能够影响到山水画创作的三个方面——表现技法、风格流派、意境观。第二章，首先探讨了古代地域性山水画的兴起与演变，之后对董其昌的“南北宗论”与地域性山水画的关系进行了论述，，最后总结了山水画发展至今的状况及对目前地域性画派发展中的一些问题进行思考。这些都为笔者具有地域特色的山水画的毕业设计提供启示。第三章，对现当代山水画家及由此产生对地域特色有着充分体现的地域性画派及突出画家进行个案分析总结。第四章，笔者对湘西山水画毕业作品作了具体的创作过程说明，将理论研究运用于毕业创作中，并从湘西地域性背景和地域文化深入理解和分析，找出地域特色表现题材。该文主要从这四个方面出发，就山水画地域性表现的流变作了简单的描述，期望能够从中总结出某些规律，以便对充满了地域特色的山水画的发展脉络有一个更清醒、更科学的认识与把握，力求论证山水画地域性表现在当代艺术创作中的发展问题。
[Abstract]:The development and evolution of China landscape painting with the reality of social and natural landscape based on regional factors, therefore is an important basis for the creation of the painting style influence, which also makes the different cultural backgrounds of painting language in the group performance, theme, aesthetic orientation has diversified performance. Especially the realistic painting teaching since the last century and the new culture movement after the reform and opening up, under the background of the regional landscape art has been hitherto unknown development. Look at today's painting, we can know that the construction of landscape painting aesthetic value today, is the traditional inheritance and innovation, highlighting the contemporary spirit of the times, to the pursuit of personalized, but these all cannot do without the regional characteristic. This paper attempts to start from the region, reveal the geographical factors of the landscape painting style, to the regional Landscape painting has a comprehensive understanding of the current development and present situation, and has some inspiration for the creative language innovation of the author's regional painting.
The chapters of this paper are as follows: the introduction part, the research background, research status and development trend are discussed in this paper, the first chapter, what is the regional landscape of the natural environment of the region, between the regional culture and landscape painting, after a clear concept, it demonstrates that the specific contact can affect the landscape painting the three aspects of performance techniques, style, concept of artistic conception. In the second chapter, firstly discusses the emergence and evolution of ancient regional landscape, after the discussion on Dong Qichang "the southern and Northern schoolstheory" relationship with the regional landscape of thinking and finally summarizes the present situation and development of landscape painting some problems on the current regional school development. All of these provide inspiration for the graduation design with regional characteristics of landscape painting. In the third chapter, the contemporary landscape painters and of the Domain characteristics with regional school and outstanding painter fully reflect on case analysis summary. The fourth chapter the author graduation of Xiangxi landscape painting works in the creative process in detail, the theory used in the research on the graduation creation, and from the Xiangxi regional background and regional culture in-depth understanding and analysis, find out the theme of regional characteristics.
This paper mainly from the four aspects, made a brief description of rheological regional landscape painting, hoping to summarize some rules in to development of full of regional characteristics of the landscape painting to have a more clear understanding, more scientific, and strive to demonstrate regional landscape painting the issue of development in contemporary art performance.

【学位授予单位】：中南民族大学
【学位级别】：硕士
【学位授予年份】：2013
【分类号】：J212

【参考文献】