真即艺术——《四大名著》创作散记

发布时间：2018-04-17 11:10

本文选题：四大名著 + 山楂树　；参考：《美术》2017年02期

【摘要】：正随着最后的题款、盖章,历时3年的中华文明历史题材美术创作工程之《四大名著》的创作终于收笔。我仿佛一下子卸掉了穿了很久的铠甲,顿觉身轻如燕,心也随之变得空无了,如太极站桩时之最高境界"从无到有,再到无"。漫步季景庭院,山楂树在不知不觉中已结满了朱砂般的果实,在秋风中摇曳、轻舞。从前期的收集素材,翻阅、研究《四大名著》文学版本和古人的绘图版本、影视版本等形成最初的创意,到后来的构图、落墨、着色、调整等阶段,历经三载,至今仍恍恍惚惚的,思绪还未穿越时空从《四大名著》的故事情节、绘制创作中回到当下。
[Abstract]:With the final title, seal, three years of Chinese civilization historical theme art creation project, the four masterpieces finally closed pen.As if I had removed my armor for a long time, my body was as light as a swallow, and my heart became empty, such as the highest state of Taiji station, "from nothing to nothing."Strolling in the quarter-view courtyard, the Hawthorn tree unknowingly grew the fruit of cinnabar, swaying and dancing in the autumn wind.From the early stage of collecting material, reading through, studying the literary edition of the "four famous works" and the ancient drawing version, the film and television version, forming the initial ideas, to the later stages of composition, ink fall, coloring, adjustment and so on, it has gone through three years.Still in a trance, the mind has not yet crossed the time and space from the four masterpieces of the story plot, drawing the creation back to the present.
【作者单位】：南京书画院;
【分类号】：J204

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