浅析山水画表现形式中的矛盾关系及应用

发布时间：2018-04-17 12:00

本文选题：山水画 + 表现形式　；参考：《首都师范大学》2013年硕士论文

【摘要】：山水画是中国古代哲学思想与艺术审美相互结合的产物,具有深厚的文化底蕴与内涵。山水画的形式结构与表现语言创作过程,实际上,就是一个制造对立矛盾,然后想办法化解矛盾的过程。利用矛盾冲突制造丰富变化,又使它们相互融合在统一的画面中,便会机趣横生；没有矛盾,画面则平淡、无生气。文章分四部分论述：第一部分,阐述本课题的研究背景,论述主动制造形式矛盾在山水画创作中的作用与意义；第二部分,结合古代优秀的山水画作品,探析传统山水画面形式的发展与演变,分析历代山水画在传统的审美观念及文化结构的影响下,形成的独特形式；第三部分,具体分析山水画表现形式中的各种矛盾关系,如：主次、虚实、疏密、聚散等；第四部分,结合自己的创作说明矛盾关系在画面中的实际运用。
[Abstract]:Landscape painting is the product of the combination of ancient Chinese philosophy and artistic aesthetics.The formal structure of landscape painting and the creative process of expressive language are, in fact, a process of creating antagonistic contradictions and finding ways to resolve them.The use of contradictions and conflicts to create rich changes, and make them merge in a unified picture, will be interesting; no contradiction, the picture is dull and lifeless.The article is divided into four parts: the first part, expound the research background of this subject, expound the function and significance of active manufacture form contradiction in landscape painting creation, the second part, combine with ancient excellent landscape painting works,Analyze the development and evolution of the traditional landscape painting form, analyze the unique form of landscape painting formed under the influence of the traditional aesthetic concept and cultural structure; the third part, the specific analysis of the various contradictions in the form of landscape painting,Such as: primary and secondary, empty, dense, scattered and so on; the fourth part, combined with their own creation to illustrate the actual application of contradictory relations in the picture.
【学位授予单位】：首都师范大学
【学位级别】：硕士
【学位授予年份】：2013
【分类号】：J212

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