中国传统佛教绘画视野下的丰子恺佛教题材绘画

发布时间：2018-04-17 12:24

本文选题：中国美术史 + 佛教绘画　；参考：《艺术百家》2016年04期

【摘要】：中国传统佛教绘画源远流长,却也经历不断演变之过程,并在不同的历史时期呈现出不同的特点。及至近现代,佛教绘画不仅有了新的特征,更有了新的形式和目的指向。就画家个体而言,丰子恺漫画已被广泛关注,然而对其佛教题材绘画作品的研究实可谓过于"孤寂"和片面。在中国传统佛教绘画视野下对其数量巨大的佛教题材绘画进行研究,既可全面了解其生平、成就,亦能明了其文化、道德和审美等诉求,更从一个特定的视角更好地理解居士艺术家在佛门风气陵夷的末世,在艺术导俗、培植平民之善念、弘扬正信佛教方面的努力和特殊价值。而从创作史的角度对丰子恺佛教题材绘画创作进行分类,并客观阐述、分析各类作品的创作过程、发表流布等,可呈现其基本状况和样貌,有益于更深入的探讨。
[Abstract]:Chinese traditional Buddhist painting has a long history, but it also goes through a process of continuous evolution, and presents different characteristics in different historical periods.In modern times, Buddhist painting not only has new features, but also has new forms and purpose.As far as the individual painter is concerned, Feng Zikai's cartoon has been paid much attention to, but the study of his painting on Buddhism is too lonely and one-sided.From the perspective of Chinese traditional Buddhist painting, the study of its large number of Buddhist paintings can not only fully understand its life, achievements, but also its cultural, moral and aesthetic aspirations.From a specific angle of view, the artists of the residence better understand the end of the Buddhist ethos, guide the customs in art, cultivate the good thoughts of the common people, and carry forward the efforts and special value of the true faith in Buddhism.From the perspective of the history of creation, Feng Zikai's Buddhist painting creation can be classified, described objectively, analyzed the creative process of various kinds of works, published, and so on, can present its basic condition and appearance, and is beneficial to more in-depth discussion.
【作者单位】：杭州师范大学艺术教育研究院;
【基金】：2012年度国家社会科学基金艺术学项目“丰子恺佛教题材绘画作品的平民化意识与警世价值研究”(项目编号:12BZJ009)阶段性成果之一
【分类号】：J219

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