浅析写生对当下中国画发展的意义

发布时间：2018-04-20 21:02

本文选题：写生 + 概念　；参考：《鲁迅美术学院》2013年硕士论文

【摘要】：内容提要：近年来，中国画创作中存在着从绘画性转向对‘观念’重视的现象，这实际上就是摒弃了面对自然写生对于我们的作用。他们宣称即使不具备任何绘画技巧的人也可以为了‘表达观念’而任意挥洒。这无异于是回避了‘对象’对于绘画的限制与内在的规范，其实质是回避了绘画的难度与高度。写生是绘画的源泉，从事绘画的人们只有尊重自然，才能拥有广阔的艺术空间。古今中外的绘画大师们无不是通过写生走向了艺术的巅峰。离开写生，就会使得绘画作品具有局限性，显得简单肤浅。离开写生势必会使得绘画走向衰亡。本文简明扼要的分析了写生是当下中国画创作的时代需求，针对当下在中国画创作中出现的一些问题，进一步说明写生对于中国画创作的重要意义。通过对中、西方写生传统的描述，分析绘画艺术情感缺失的问题，最后得出回归写生才是当下中国画发展的唯一出路。第一章主要通过中国画当下的一些问题，阐述只有写生才能更好的解决这些问题，从而证明写生对于中国画创作的重要意义；第二章探讨写生应尊重对象的基本要求。第三章通过对中、西方绘画的发展分析，，发现脱离写生是导致绘画语言走向衰落的根本原因。第四章得出结论：回归写生才是当下中国画创作的出路。
[Abstract]:Abstract: in recent years, there is a phenomenon in the creation of Chinese painting from painting to 'concept', which is to abandon the role of natural painting for us. They claim that even people who don't have any painting skills can spread their ideas at will. The essence of this is to avoid the difficulty and height of painting. Painting is the source of painting, painting people only respect nature, can have broad artistic space. Chinese and foreign masters of painting through the painting to the peak of art. Leave sketching, will make the painting has limitations, appear simple superficial. Leaving the sketch will inevitably lead to the decline and death of painting. This paper briefly analyzes that sketching is the need of the times in the creation of Chinese painting, aiming at some problems in the current creation of Chinese painting, further explains the importance of sketching for the creation of Chinese painting. Through the traditional description of Chinese and Western sketches, this paper analyzes the lack of emotion in painting art, and finally comes to the conclusion that the only way out for the development of Chinese painting is to return to sketching. The first chapter mainly through some of the current problems of Chinese painting, expound that only sketching can better solve these problems, thus proving the importance of sketch for the creation of Chinese painting; the second chapter discusses the basic requirements of painting should respect the object. The third chapter, by analyzing the development of Chinese and western painting, finds that separation from sketching is the fundamental cause of the decline of painting language. The fourth chapter draws the conclusion: the return to sketch is the outlet of the present Chinese painting creation.
【学位授予单位】：鲁迅美术学院
【学位级别】：硕士
【学位授予年份】：2013
【分类号】：J212

【共引文献】