丁寺钟水彩风景画的写意性语言探究

发布时间：2018-04-21 12:01

本文选题：水彩风景画 + 丁寺钟　；参考：《湖南科技大学》2014年硕士论文

【摘要】：水彩作为一种独立的绘画形式，仍以其自身独有的魅力吸引无数画家和广大爱好者。热爱水彩的人都曾尝试用写意性水彩来创作，而中国水彩画家善于从中国的传统文化里吸取精华，以独有的意象思维，从精神出发，以中国传统绘画写意的形式，来借物抒情、言志以尽意。而丁寺钟的水彩风景画以徽州题材，以高度概括的造型、色彩在当代中国水彩领域里划出了一道亮丽的风景线；以舍弃画面中情节和内容，来突出点、线、面，色块、构图等纯粹绘画形式语言，表达内心的感觉、情绪、理念，，丁寺钟的作品既恢弘又抒情，在当代中国形成了新的水彩面貌。本文在以个案研究法对丁寺钟水彩风景画的写意性语言特点和写意性语言形成原因进行探讨分析，在搜集有关丁寺钟的画集、主编出版物及相关文献基础上，对丁寺钟画家本人专题采访，对其艺术经历、绘画理念、绘画风格转变形成全面系统的认识，并分析其风格转变形成的内在原因和外在原因。本文共分为四个章节，第一章通过文献阐述选题背景和选题意义；第二章为主要研究内容，重点研究丁寺钟水彩风景画的写意性语言特点，试从写意心理、作品的特点和意象审美不同的角度来分析，并着重剖析作品的构图、造型、色彩、技法及意境的写意性语言特点；第三章分析丁寺钟水彩风景画的写意性语言形成的原因；第四章是阐述丁寺钟写意性水彩风景画给当代水彩画创作启示。
[Abstract]:Watercolor, as an independent form of painting, still attracts countless painters and lovers with its own unique charm. People who love watercolor have tried to use freehand brushwork watercolor to create, and Chinese watercolor painters are good at absorbing the essence from Chinese traditional culture, using unique image thinking, starting from the spirit, using the form of freehand brushwork of Chinese traditional painting to express their feelings. To express one's will with all one's heart. The watercolor landscape paintings of Ding Si Zhong draw a beautiful landscape line in the field of contemporary Chinese watercolor with the theme of Huizhou, with a highly generalized form; to give up the plot and content of the screen to highlight the dots, lines, faces, and color blocks. Composition and other pure painting form language to express the inner feelings, emotions, ideas, Ding Temple Zhong's works both magnificent and lyrical, in contemporary China has formed a new watercolor face. This paper discusses and analyzes the characteristics of freehand brushwork language and the reasons for the formation of freehand brushwork language in Ding Si Zhong's watercolor landscape painting by case study, and on the basis of collecting the collection of paintings, editor-in-chief publications and related documents about Ding Temple Zhong. This paper gives a special interview to Ding Si Zhong painter himself, and analyzes the internal and external reasons for the change of his artistic experience, painting idea and painting style, as well as the comprehensive and systematic understanding of the transformation of his painting style. This article is divided into four chapters, the first chapter through the literature to explain the background and significance of the topic; the second chapter is the main research content, focusing on the characteristics of the freehand brushwork language of Ding Si Zhong watercolor landscape painting, try from the freehand brushwork psychology, The characteristics of the works are analyzed from different angles of image aesthetics, and the freehand language features of composition, modeling, color, techniques and artistic conception of the works are analyzed emphatically, the third chapter analyzes the reasons for the formation of the freehand brushwork language of the watercolor landscape paintings of Ding Si Zhong; The fourth chapter is to expound Ding Si Zhong's freehand style watercolor landscape painting to contemporary watercolor painting creation enlightenment.
【学位授予单位】：湖南科技大学
【学位级别】：硕士
【学位授予年份】：2014
【分类号】：J205

【参考文献】