文人画的色空与真性——以唐寅为中心

发布时间：2018-04-23 12:29

本文选题：唐寅 + 文人画　；参考：《文艺研究》2017年12期

【摘要】：受佛教思想影响颇深的文人画,常常寄寓着对"色空观"的独特思考。唐寅的艺术正是其中的代表。他关心的不是佛教教理的辨析,而是人生困惑的解答。一方面,他对生灭的色相充满了眷恋,诗画中大量出现花、月、美人等意象,浸透着深沉的生命感伤;另一方面,他又在佛理中寻找心灵慰藉,从色相的生灭中超越出来,证悟性空之理。他的许多诗画,都表现空性所显现的世界。但唐寅并未否定世俗生活的意义。他既追求斩断世间烦恼的真性,也高扬自然流露的真情。情感执迷和真性彻悟间的张力,构成了唐寅艺术独特的样貌,也使其成为探讨传统文人画内在理路及其与佛学、禅学互动影响的极佳个案。
[Abstract]:The literati paintings, deeply influenced by Buddhist thoughts, often connote the unique thinking on the view of color and space. Tang Yin's art is one of its representatives. What he cares about is not the discrimination of Buddhist teachings, but the answers to life's puzzles. On the one hand, he was full of sentimental attachment to the hue of birth and death, and the images of flowers, moon, beauty and so on appeared in his poems and paintings, and he was deeply sentimental in life; on the other hand, he sought spiritual consolation in Buddhism and transcended it from the birth and death of the hue. To prove the emptiness of understanding. Many of his poems and paintings represent the world of emptiness. But Tang Yin did not deny the significance of secular life. He sought to cut off the truth of the world's troubles and exalted the truth of nature. The tension between emotional obsession and truthfulness makes Tang Yin's art unique, and it also makes it an excellent case to explore the inner principle of traditional literati painting and its interaction with Buddhism and Zen.
【作者单位】：武汉大学哲学学院;
【基金】：国家社科基金青年项目“‘文人画’的美学精神及其当代价值研究”(批准号:16CZX066)成果
【分类号】：J212

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