国画人物画技法在时装画中的应用研究

发布时间：2018-04-23 12:55

本文选题：中国人物画 + 时装画　；参考：《服饰导刊》2016年02期

【摘要】：人物画在中国传统绘画史上有悠久的历史,与时装画有着许多汇通性。受西方文化影响,自20世纪20~30年代时装画在上海问世至今,中国时装画的风格多样,作为绘画的一条分支,时装画是时装设计构思及造型的一种重要表现手段,也是设计师综合能力的体现,在时装设计中有重要的地位。针对当前行业及中国时装画风格的需要,以中国绘画中的人物画为切入口,通过分析人物画的笔法、墨法的特点,将其白描和写意的技法运用在时装画水彩技法表现中,在前人研究的基础上提供可参考的"例图",将传统的中国人物画技法与现代的时装画表现进行对比研究,以具象时装画的语言表达,丰富时装画的表现形式,形成具有中国韵味的时装画风格。
[Abstract]:Figure painting has a long history in the history of Chinese traditional painting and has a lot of confluence with fashion painting. Influenced by western culture, since the fashion painting was published in Shanghai in the 1920s and 1930s, the style of Chinese fashion painting is diverse. As a branch of painting, fashion painting is an important expression means of fashion design conception and modeling. Also is the designer comprehensive ability embodiment, has the important position in the fashion design. In order to meet the needs of the current industry and the style of Chinese fashion painting, taking the figure painting in Chinese painting as the entry point, by analyzing the characteristics of the brushwork and ink method of figure painting, the techniques of white drawing and freehand brushwork are applied to the expression of watercolor technique in fashion painting. On the basis of the previous studies, this paper provides the "illustrative drawings" which can be referred to, compares the traditional Chinese figure painting techniques with the modern fashion paintings, and enriches the expression forms of the fashion paintings by expressing them in the language of concrete fashion paintings. Form the style of fashion painting with Chinese charm.
【作者单位】：武汉纺织大学服装学院;
【基金】：教育部人文社会科学规划基金(12YJAZH100)
【分类号】：J212;TS941.2

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