谈上海商业对海派绘画之世俗化影响

发布时间：2018-04-23 18:28

本文选题：上海 + 商业　；参考：《曲阜师范大学》2013年硕士论文

【摘要】：上海在开埠通商之后，西方列强看重了这个具有优越位置的地方，，力图将其打造为“东方的巴黎”，带来了他们本土的新奇文化以及思维方式。江、浙一带的富商、大贾由于太平天国运动逃到这里避难，带来了大量的物资财富。各地画家也纷纷来到这里，以卖画为生，带来了丰富的文化艺术。一时间，上海商业达到空前繁荣。因此，此时的上海人审美有着复杂的成分：既有来自农村的泥土气息，也有洋人的香水味，更有一点传统士大夫的清高味。海上画派在这样一个背景下逐渐形成，市民在精神层面的追求更加广泛，海派为了迎合市民欣赏趣味，其作品多以花鸟画为主，注重色彩，将色当做墨来使用，均能为雅俗所共赏。本文基于以上几方面，致力于研究上海商业的繁荣对海派绘画的世俗化影响。本文是分三个部分来介绍的，第一部分讲述上海商业繁荣与海派绘画的形成，这一部分系统的阐述海派绘画在商业繁荣这个大背景下所形成，其作品具有市民欣赏趣味。为第二部分做铺垫。第二部分围绕海派绘画的世俗观念来重点阐述。先对海派绘画与“雅俗”观念进行介绍，在本节首先分析“雅俗”观念的渊源，然后写雅俗观念在海派绘画中的体现，进而通过虚谷、任伯年、吴昌硕等代表画家绘画中的世俗性来体现海派绘画的雅俗结合，最后得出海派绘画具有了商品化的特点。最后一部分围绕当今画家的世俗性倾向来展开论述。本文是通过收集关于海派画家及其绘画特点和当时上海的商业经济发展繁荣状况的相关资料，进行整合分析，利用文献考证的方法、归纳法、分析比较的方法进行深入研究的。
[Abstract]:After Shanghai opened its port for trade, the Western powers valued this superior place and tried to make it "Paris of the East", bringing their own new culture and mode of thinking. Rich businessmen in Jiangsu and Zhejiang brought a great deal of material wealth because of the Taiping Heavenly Kingdom movement. Painters from all over the world also came here to sell paintings for a living, bringing rich culture and art. For a while, Shanghai's commerce has reached unprecedented prosperity. Therefore, the aesthetic of Shanghai people at this time has a complex composition: both from the rural soil flavor, also has the perfume smell of foreigners, but also a bit of traditional literati high flavor. The sea painting school is gradually formed in such a background, and the people's spiritual pursuit is more extensive. In order to cater to the public's appreciation of the interest, the Shanghai school has mostly focused on flower-and-bird paintings, paid attention to color, and used color as ink. All can be appreciated by elegance and vulgarity. Based on the above aspects, this paper is devoted to studying the secularization influence of Shanghai's commercial prosperity on Shanghai painting. This article is divided into three parts to introduce, the first part of the Shanghai commercial prosperity and the formation of Shanghai painting, this part of the system of Shanghai painting formed under the background of commercial prosperity, its works enjoy the taste of the public. Pave the way for the second part. The second part focuses on the secular concept of Shanghai painting. This section first analyzes the origin of the concept of "elegance and vulgarity", then writes about the embodiment of the concept of elegance and vulgarity in the painting of Shanghai school, and then through the void valley, Ren Bonian, Wu Changshuo and other painters represented the secular nature of painting to reflect the combination of elegance and vulgarity, finally came to the conclusion that Shanghai painting has the characteristics of commercialization. The last part focuses on the secular tendency of today's painters. Through collecting relevant information about the characteristics of Shanghai painters and their paintings and the commercial economic development and prosperity of Shanghai at that time, this paper makes an integrated analysis, and makes a thorough study on the methods of literature research, induction and analysis and comparison.
【学位授予单位】：曲阜师范大学
【学位级别】：硕士
【学位授予年份】：2013
【分类号】：J209.2

【参考文献】