拉卜楞寺寺庙壁画《生死流转图》阎魔造型探究

发布时间：2018-04-24 08:50

本文选题：拉卜楞寺 + 生死流转图　；参考：《中央美术学院》2017年硕士论文

【摘要】：藏传佛教中的《生死流转图》是佛教教义中最基本的对人死后灵魂去向的构想图,阎魔作为图像中手持轮回原盘的重要形象,追溯其造型根源来自印度。拉卜楞寺地处安多地区,多种佛教艺术风格在此不断的交往与融合,是显宗和密宗佛教艺术的过渡区,如今拉卜楞寺中的阎魔造型风格就是多种佛教文化艺术交融的产物,在造型上遵循藏传佛教的标准样式,色彩浓重艳丽,神态狰狞凶恶。正是因为阎魔造型的威慑力显示出六道世界不只是一个幻相,也是界地不可逃避的一个实相。研究《生死流转图》中"阎魔"的造型,有助于我们认识佛教轮回思想在不同的地域和人文环境影响下所产生的艺术表现上的差异,对探索佛教艺术由西向东的演变过程是非常有意义的。本文从"阎魔"的造型艺术出发,来比较和探索拉卜楞寺《生死流转图》中的阎魔造型与唐卡艺术中阎魔造型艺术形象上的区别,为拉卜楞寺佛教壁画《生死流转图》中的阎魔形象找寻其造型艺术的文化渊源和艺术特色。从而使我们了解到艺术的形成离不开特定的时代和社会背景。不同时期文化艺术的交流,最终导致艺术审美观念的变化,并影响艺术风格的演变。
[Abstract]:The diagram of life and death in Tibetan Buddhism is the most basic picture of the soul after death in Buddhist doctrine. As an important image of the handheld rebirth plate in the image, the origin of its modeling is traced back to India. Labran Monastery is located in the Ando region, where various Buddhist artistic styles are constantly interacted and integrated, which is the transitional area of the Buddhist art of Zong He's Tantric sect. Nowadays, the Yan devil modeling style in the Labran Temple is the product of the blending of various Buddhist cultures and arts. In shape, follow the standard style of Tibetan Buddhism, color heavy and beautiful, look ferocious and ferocious. It is precisely because the deterrent power of the Yan Demon modeling shows that the six worlds are not only a fantasy, but also an inescapable reality of the world. The study of the shape of the "Yan devil" in "Life and death flow Picture" helps us to understand the differences in artistic performance of Buddhist reincarnation thought under the influence of different regions and humanistic environments. It is of great significance to explore the evolution of Buddhist art from west to east. Starting from the plastic arts of the "Yan devil", this paper compares and explores the differences between the shapes of the Yan demons in Labran Temple and the images of the Yan demons in Tangka art. To find out the cultural origin and artistic characteristics of the plastic arts for the image of the Yan devil in the Buddhist frescoes of Labran Temple in the Circulation of Life and death. So that we understand that the formation of art can not be separated from a specific era and social background. The exchange of culture and art in different periods eventually leads to the change of artistic aesthetic concept and influences the evolution of artistic style.
【学位授予单位】：中央美术学院
【学位级别】：硕士
【学位授予年份】：2017
【分类号】：J218.6

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