《康南海六十行乐图》研究

发布时间：2018-04-24 11:08

本文选题：康南海六十行乐图 + 徐悲鸿　；参考：《中央美术学院》2013年硕士论文

【摘要】：本文拟分为三个部分来探讨。第一部分从二十世纪一十到二十年代看,探讨对于早期徐悲鸿的认识。从徐悲鸿的最初的绘画学习和教育背景谈起,继而从绘画的角度对《康南海六十行乐图》进行分析。总结徐悲鸿留学法国之前的艺术创作体貌,继而分析该阶段徐氏绘画的艺术风格和特点。第二部分分析《康南海六十行乐图》中的主人公康有为的画学思想,进而讨论康氏的思想对于徐悲鸿的影响。前面两个部分主要是将《康南海六十行乐图》在放在徐悲鸿的线索里来讨论。在第三部分中,我们将扩大视角,把这张作品放在二十世纪初的上海进行观察,希望对二十世纪一十至二十年代,包括徐悲鸿在内的上海画家,受到西方艺术影响的现状、水平有所认识。
[Abstract]:This paper is divided into three parts to discuss. The first part looks from the 20 th century 10 s to 20 s, discusses the early Xu Beihong's cognition. From Xu Beihong's initial painting learning and education background, then from the perspective of painting to the "Kang Nanhai 60 lines of music" analysis. This paper summarizes Xu Beihong's artistic creation before studying in France, and then analyzes the artistic style and characteristics of Xu's paintings in this stage. In the second part, the author analyzes Kang Youwei's thought of painting, and then discusses the influence of Kang's thought on Xu Beihong. The first two parts are mainly discussed in the clue of Xu Beihong. In the third part, we will expand our perspective and put this work in Shanghai at the beginning of the 20th century. We hope to observe the current situation of Shanghai painters, including Xu Beihong, who were influenced by Western art in the 100s and 1920s. The level of knowledge.
【学位授予单位】：中央美术学院
【学位级别】：硕士
【学位授予年份】：2013
【分类号】：J212

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