中国文人画的题跋与钤印审美初探

发布时间：2018-04-24 15:43

本文选题：文人画 + 题款　；参考：《山西师范大学》2017年硕士论文

【摘要】：中国文人画开始萌芽于唐代,历宋元才日趋成熟。而题跋和钤印是文人绘画中的两个至关重要的部分。本文主要以文人绘画当中的题跋和钤印两个方面作为主要切入点,着重研究了题跋与绘画的结合,印章与绘画的联姻。进而分析诗书画印四者的融通。并以此为理论基础,分析当代中国文人画所存在的一些问题,并力所能及的提出一些解决措施。此前,研究这方面甚少,希望本文能填补一点此方向研究的空白。本文在研究过程中,以题跋和钤印为主线,层层递进,相互对比,阐述了中国文人画中书法与绘画结合、印章与画结合的历史背景、形成和发展,并以最具代表性的画家及其作品进行分析,从中汲取中国文人画的营养,感受文人画家的人格魅力,以及绘画作品的艺术之美。并从传统中不断反思,推进文人画在当代社会环境下的健康发展。
[Abstract]:Chinese literati painting began to sprout in the Tang Dynasty, Song and Yuan dynasties before the increasingly mature. And inscriptions and seals are two important parts of literati painting. This paper focuses on the combination of postscript and painting, the marriage of seal and painting. And then analysis of poetry, calligraphy, painting and printing of the four fusion. On the basis of this theory, this paper analyzes some problems existing in contemporary Chinese literati painting, and puts forward some solving measures as far as possible. Previously, the research on this aspect is very few, I hope this paper can fill a gap in this direction. In the course of the research, taking the postscript and seal as the main line, and comparing with each other, this paper expounds the historical background, formation and development of the combination of calligraphy and painting, seal and painting in Chinese literati painting. The most representative painters and their works are analyzed to draw from the nutrition of Chinese literati paintings, to feel the personality charm of literati painters and the artistic beauty of paintings. And continue to reflect on the tradition to promote the healthy development of literati painting in the contemporary social environment.
【学位授予单位】：山西师范大学
【学位级别】：硕士
【学位授予年份】：2017
【分类号】：J212

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