从两座唐墓仕女壁画看“宫怨”意象的诗画交汇

发布时间：2018-04-24 23:23

  本文选题：唐墓 + 仕女图　； 参考：《民族艺术研究》2016年05期

【摘要】：唐代乾陵的懿德太子墓与章怀太子墓中的一些仕女壁画善于表现女性精神世界和淡淡的幽怨情感,这些壁画既受到现实世界中仕女绘画创作趣味的影响,又与宫怨诗的意象表现遥相呼应。这些仕女壁画的"宫怨"意象表现与宫怨诗的意象表现手法十分类似,画与诗的意象表现存在一定关联。但是,这两座唐墓壁画的创作意图与宫怨诗不同,其"宫怨"意象与死者懿德太子李重润、章怀太子李贤的身世息息相关。这些绘制在墓室之中的仕女壁画,以陪伴和庇护死者为其主要目的,它既吸收了现实世界中以鉴赏为目的的仕女画与宫怨诗的意象表达手法,又有其独特的味外之旨。
[Abstract]:The tomb of the Emperor Yide of the Qianling Tomb of the Tang Dynasty and the murals of some ladies in the tomb of Prince Zhang Huai are good at expressing the spiritual world of women and the subtle feelings of resentment. These murals are both influenced by the artistic interest of the paintings of ladies in the real world. The image performance of the poetry of palace resentment echoes with each other. The image expression of "palace resentment" in these mural paintings is very similar to that of palace resentment poems, and there is a certain connection between painting and poem image expression. However, the intention of these two mural paintings in Tang Dynasty is different from the poems of palace resentment. The image of "palace resentment" is closely related to the life of Prince Li Chongrun and Prince Li Xian of the deceased. These mural paintings painted in the tomb have the main purpose of accompanying and sheltering the dead. It not only absorbs the image expression techniques of the painting of ladies and palace grievances in the real world for the purpose of appreciation, but also has its unique taste and purpose.
【作者单位】： 东南大学艺术学院;
【分类号】：J218.6
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本文编号：1798732