康宁黑白木刻版画艺术研究

发布时间：2018-04-25 02:02

本文选题：康宁版画 + 黑白木刻　；参考：《安徽财经大学》2017年硕士论文

【摘要】：康宁是中国西南地区富有创新精神的黑白木刻版画家之一。他是传统版画技法的保存者与继承者,其在创作中保留了传统版画的技艺。同时也在谋求着创新与改变,试图重新审视版画家在当代艺术和艺术工作上的责任。康宁的黑白木刻版画作品有别于传统,他采取着不同的方式进行木板画创作,在1979-2016年间,其创作风格有两次较大的创新与改变,这些敢于创新的精神以及形式的转变在其绘画作品之中可以得到充分的体现。木刻技法与创作理念不断的融入在康宁各个时期的作品中,并成为其画面的重要组成部分。其绘画作品的特征也通过不断演变,成为康宁所独有的艺术创作语言。论文着重分析康宁不同时期的作品,探索康宁坚持创作黑白木刻的原因以及开创独木木刻的过程,重点回顾1979年至2016年,康宁版画创作两次较大创作理念的转变,通过对当下黑白木刻版画发展的现状分析,结合1982—2014年间的相关作品,探讨黑白木刻版画家是如何用版画创作本身链接观众审美以及版画艺术实践该如何介入到审美情趣中,以实现对黑白木刻版画有效的继承与发展。本文通过对康宁在其两个重要时期所创作的黑白绝版木刻作品的梳理,分析康宁对黑白木刻版画艺术的理解,寻找康宁艺术审美价值观的转变,尝试寻找当代版画的创作方式,试分析黑白木刻版画在当代版画作品的代表性以及康宁木刻版画的价值和对中国黑白木刻版画的启示。
[Abstract]:Kangning is one of the innovative black-and-white woodcut printmakers in southwest China. He was the preserver and successor of the traditional printmaking technique, and retained the art of the traditional printmaking in his creation. At the same time, it seeks to innovate and change, trying to re-examine the contemporary art and art work responsibilities. Kang Ning's black-and-white woodcut prints are different from the traditional ones. He takes different ways to create plank paintings. During 1979-2016, his creative style was greatly innovated and changed. These innovative spirit and changes in form can be fully reflected in his paintings. Woodcut techniques and creative ideas continue to blend in the various periods of Kangning works, and become an important part of its picture. The characteristics of his paintings have also become the unique artistic creation language of Kangning through continuous evolution. This paper focuses on the analysis of his works in different periods, explores the reasons why Kang Ning insists on creating black-and-white wood carvings and the process of creating wood carvings, and focuses on reviewing the two major creative changes in the creation of Kang Ning's printmaking from 1979 to 2016. Based on the analysis of the current development of black-and-white woodcut prints and the related works from 1982 to 2014, this paper discusses how black-and-white woodcut printmaking artists use their own printmaking to link the audience's aesthetics and how the practice of printmaking art should be involved in aesthetic taste. In order to achieve the black and white woodcut printing effective inheritance and development. By combing out the black-and-white woodcut works created by Kang Ning in his two important periods, this paper analyzes his understanding of the art of black-and-white woodcut prints, seeks for the transformation of the aesthetic values of Kang Ning's art, and tries to find the creative ways of contemporary woodcut paintings. This paper tries to analyze the representation of black and white woodcut prints in contemporary woodcut works, the value of Kangning woodcut prints and the enlightenment to Chinese black-and-white woodcut prints.
【学位授予单位】：安徽财经大学
【学位级别】：硕士
【学位授予年份】：2017
【分类号】：J217

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