中国早期青绿山水画色彩形成根源探究

发布时间：2018-04-25 06:32

本文选题：早期青绿山水画 + 色彩起源　；参考：《河南大学》2014年硕士论文

【摘要】：中国山水画的历史由来已久，而中国早期青绿山水画的形成与发展是中国山水画形成的标志。我们从中国画在古代被称为“丹青”一词就可以得知，中国早期绘画的典型形态就是以色彩为主的表现形式。青绿山水画在唐宋时期占据主导地位。由于宋代以后在重墨轻色的思想观念影响之下，色彩逐渐遭到排斥而处于次要地位，从元代以后色彩逐渐衰落。纵观中国绘画发展史，色彩的表现是其中重要的闪光点之一，而青绿山水画又在其中扮演了重要角色。本文主要对中国早期青绿山水画的色彩起源进行研究，对青绿山水画的源头进行深入发掘，研究其用色技巧、象征意义，并结合由先秦到魏晋各个时期的色彩观和“儒”、“道”、“释”三家文化对青绿山水画色彩的影响，以及上层建筑对青绿山水画色彩的引导进行梳理。本文拟采用叙议结合的方法进行文献研究、比较研究，，主要研究方法包括个案研究法、探索性研究法、描述性研究法。当下，人们对于山水画设色基本沿袭前人的浅降法，但少有对青绿山水画色彩进行深入研究。因此，加强对青绿山水画色彩的研究具有十分重大的意义。这种研究不仅仅可以从技巧上提高中国山水画的设色，更能从文化层面上找到归宿。当下人们注重的都只是青绿山水的设色技巧，但未从色彩根源上深入挖掘，这样势必难以从精神层面与绘画形成共鸣。青绿色彩的选择根植于中国传统文化。如果抛却这样一个历史成因，那么青绿山水画只能是富丽堂皇的装饰品。文化的影响是深层次的，也是决定性的因素。追根溯源，青绿山水是中国山水画的发端。人们通过这样一种形式与技巧来表达心中对山水的情怀，在自然与文化中进行选择、提炼，从而形成这样别具一格的青绿山水画。基于这样的思考，本文主要对中国早期青绿山水画色彩的成因进行探究，不仅是为了在画面技法上分析青绿山水画的成因，更为了启示当下，绘画当是在精神文化的驱使下对自然进行加工提炼，最终达到天人合一、物我两忘的境地，而并不是单纯为了技巧。
[Abstract]:Chinese landscape painting has a long history, and the formation and development of Chinese early green landscape painting is the symbol of the formation of Chinese landscape painting. From the word "Danqing" in ancient Chinese painting, we can know that the typical form of early Chinese painting is the form of color. Green landscape painting played a dominant role in the Tang and Song dynasties. After Song Dynasty, under the influence of the idea of heavy ink and light color, color was gradually rejected and placed in the secondary position, which gradually declined from Yuan Dynasty. Throughout the history of Chinese painting, the performance of color is one of the important flashpoints, and green landscape painting plays an important role in it. This article mainly carries on the research to the Chinese early period green landscape painting color origin, carries on the thorough excavation to the green landscape painting source, studies its use color skill, the symbolic significance, and unifies the color view and the "Confucianism" from the pre-Qin Dynasty to the Wei and Jin dynasties each time, The influence of "Tao" and "Shi" on the color of green landscape painting and the guidance of superstructure to the color of green landscape painting. This paper intends to adopt the method of the combination of narration and discussion to carry on the literature research, the comparative research, the main research method includes the case study method, the exploratory research method, the descriptive research method. At present, people basically follow the previous shallow descent method for landscape painting color, but few in-depth research on green landscape painting color. Therefore, it is of great significance to strengthen the study of green landscape painting color. This kind of research can not only improve the color of Chinese landscape painting, but also find a home from the cultural level. At present, people only pay attention to the green landscape color skills, but not from the root of color, so it will be difficult from the spiritual level and painting to form a resonance. The choice of green color is rooted in Chinese traditional culture. If we give up such a historical cause, then green landscape painting can only be a magnificent ornament. The influence of culture is deep and decisive. Trace back to the source, green landscape is the beginning of Chinese landscape painting. People through such a form and skills to express the feelings of the landscape, in nature and culture to choose, refine, so as to form such a unique green landscape painting. Based on this thinking, this paper mainly explores the causes of the color of early Chinese green landscape painting, not only to analyze the cause of the formation of green landscape painting in the picture technique, but also to enlighten the present. Painting should be driven by the spiritual culture of nature processing and refining, eventually to achieve the unity of nature and man, things I forget the situation, and not simply for the sake of skills.
【学位授予单位】：河南大学
【学位级别】：硕士
【学位授予年份】：2014
【分类号】：J212

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