舟山渔民画保护问题与对策研究

发布时间：2018-04-25 06:51

本文选题：舟山渔民画 + 非物质文化遗产　；参考：《浙江海洋学院》2014年硕士论文

【摘要】：本文的研究对象是在新时期舟山渔民画保护问题与对策研究，进行这样的研究，首先是受到了当前保护非物质文化遗产热潮的影响，非物质文化遗产保护项目自设立以来，使很多的濒临灭绝的传统民间文化艺术得以延续和发展，相关文化遗产越来越受到国家和社会各界的广泛关注。保护非物质文化遗产，拯救传统民间文化，逐渐成为人们的共识。舟山渔民画是舟山人民生活和智慧的结晶，凝聚着舟山人特有的生活态度和大无畏的英雄气概，是舟山人民不可多得的宝贵财富。其次，，作者之所以关注渔民画，是因为在这一非物质文化遗产保护与传承过程中出现了一些无法忽视的问题，遇到了一些暂时难以克服的困难。如果这些问题没有得到足够的重视，这些困难没有得到很好地解决，舟山渔民画的发展和传承可能会受到一些影响。更为重要的是，以舟山渔民画为切入点，进行非物质文化遗产保护对策的研究，可以积累一定的经验，对其它非物质文化遗产保护提供借鉴。要从非物质文化遗产的角度审视舟山渔民画的意义，探讨其存在的价值，摸索其持续发展的道路，必须首先梳理其进入非物质文化遗产名录的历程，确定其作为非物质文化遗产之一种所具有的特征，因此从非物质文化遗产理念出发，为舟山渔民画寻找一个理论支撑，不仅必要，而且迫在眉睫。以舟山本地的海洋文化传统为背景，分析渔民画发展的进程，确立渔民画的艺术价值和文化价值，为舟山渔民画的持续发展提供论证，就是本文研究的重要内容。本文通过调查研究我国其它地区保护民间传统文化艺术过程中所遇到的问题，结合舟山实际，分析了舟山渔民画的发展现状，分析了在保护过程中遇到的问题，并提出了一系列的解决措施。保护渔民画不仅要靠政府，还要靠社会各界的努力。在当前市场经济环境下，如何实现舟山渔民画产业化经营健康发展，这是发展和传承渔民画的主要途径，也是根据时代要求而提出的发展道路，并且要建立一个舟山渔民画保护机制，这样才能使渔民画源远流长，屹立于中国传统民间文化艺术之林。
[Abstract]:The research object of this paper is to study the protection problems and countermeasures of the fishermen painting in Zhoushan in the new period. First of all, the research is affected by the current upsurge in the protection of intangible cultural heritage, and the intangible cultural heritage protection project has been established since its establishment. So that many endangered traditional folk culture and art can be continued and developed, the related cultural heritage has been paid more and more attention by the country and all walks of life. To protect intangible cultural heritage and save traditional folk culture has gradually become a common understanding. Zhoushan fishermen painting is the crystallization of Zhoushan people's life and wisdom, condenses Zhoushan people's unique life attitude and fearless heroism, is a rare valuable wealth of Zhoushan people. Secondly, the author pays attention to the fishermen's paintings because there are some problems which can not be ignored in the process of protecting and inheriting the intangible cultural heritage, and meet some difficulties that can not be overcome temporarily. If these problems are not paid enough attention to, these difficulties are not well solved, and the development and inheritance of Zhoushan fishermen's paintings may be affected. More importantly, taking the painting of Zhoushan fishermen as the breakthrough point, the research on the protection countermeasures of intangible cultural heritage can accumulate some experience and provide reference for the protection of other intangible cultural heritage. In order to examine the significance of Zhoushan fishermen 'paintings from the perspective of intangible cultural heritage, to probe into the value of their existence and to explore the way of their sustainable development, we must first comb the course of their entry into the list of intangible cultural heritage. As one of the characteristics of intangible cultural heritage, it is not only necessary but also urgent to find a theoretical support for the painting of fishermen in Zhoushan from the concept of intangible cultural heritage. Taking the local marine culture tradition of Zhoushan as the background, this paper analyzes the process of the development of fishermen's paintings, establishes the artistic and cultural values of the fishermen's paintings, and provides proof for the sustainable development of the fishermen's paintings in Zhoushan, which is the important content of this paper. Through investigating and studying the problems encountered in the process of protecting folk traditional culture and art in other areas of our country, combining the actual situation of Zhoushan, this paper analyzes the present situation of the development of Zhoushan fishermen's paintings, and analyzes the problems encountered in the course of protection. A series of measures are put forward. The protection of fishermen painting depends not only on the government, but also on the efforts of all walks of life. Under the current market economy environment, how to realize the healthy development of Zhoushan fishermen 'painting industrialization is the main way to develop and inherit the fishermen's painting, and it is also the development road according to the requirements of the times. And it is necessary to establish a protection mechanism of fishermen 'paintings in Zhoushan, so that fishermen' paintings can go back to ancient times and stand erect in the forest of Chinese traditional folk culture and art.
【学位授予单位】：浙江海洋学院
【学位级别】：硕士
【学位授予年份】：2014
【分类号】：J209.2

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