结合个人创作分析具象绘画的象征性在当代语境中的运用

发布时间：2018-04-25 17:24

本文选题：具象油画 + 象征性寓意　；参考：《新疆师范大学》2017年硕士论文

【摘要】：象征性是油画艺术创作的灵魂,是支撑起绘画存在性的基础。随着艺术形式的多元化发展,具象绘画仍然没有被当代宣判死亡的原因,就是其承载着时代精神的象征性寓意发挥的作用。本文将从具象绘画的象征性入手,借以这一主题,来分析当代语境下艺术家的创作观念。通过对国内外文献的研究,不难发现,绘画中“象征性”手法的运用,国内和国外的学术发展呈现一种不平衡的态势。国内对于具象绘画中“象征”手法的讨论依然处于一种有待探讨的状态。因此,以本人研究生阶段的作品出发,就具象绘画象征性表达加以讨论分析,是本文研究的最终目标。文章共分为四个部分。第一个部分,一方面,通过对绘画语言的划分,从“具象写实”和“具象表现“两种手法出发,从而较系统地解释“具象绘画”在其表达方式上的丰富性。另一方面,以图像中“象征”的功能性入手,结合艺术史上对“象征”在画面上不同的概念把握,从而来讨论“象征性”这一手法在油画操作中的普遍性。文章第二个部分,以本人研究生阶段的作品入手,就不同“绘画语言的尝试”和“绘画主题的摸索”两方面,试图理清本人创作阶段的思路。第三个部分,首先引入对本人创作过程中有直接影响的艺术家,通过对他们画作的分析,尝试还原本人的创作来源和作品动机;此后,在油画创作实践中,就象征性是如何在本人绘画作品中具体应用的,围绕构图与色彩、叙事与反叙事以及身体与个体经验三个部分进行着重分析。第四个部分,探索具象绘画的“象征性表达”在当代语境下的意义。作为当代语境下的油画家要以突破传统的思维模式通过油画中的象征性寓意去关注现实,从个人的立场,经历、经验体验出发,将对生活内容的叙述不断的发展和延续,是中国当代艺术衍生出好的作品的基本动力。
[Abstract]:Symbolism is the soul of the artistic creation of oil painting and the basis for supporting the existence of painting. With the diversified development of the artistic form, the concrete painting still has not been condemned to death by the contemporary era. It is the symbolic meaning of the spirit of the times. This article will start with the symbolism of the image painting to borrow this theme. It is not difficult to find out that the use of "symbolic" techniques in the painting shows an unbalanced situation in the domestic and foreign academic development through the study of the literature at home and abroad. The discussion of the "symbolic" technique in the concrete painting is still in a state to be discussed in China. This article is divided into four parts: the first part, the first part, on the one hand, through the division of the painting language, from the "representational realism" and "representational representation" of the two methods, thus more systematic explanation of "concrete painting" On the other hand, starting with the function of "symbolism" in the image, and combining with the different concepts of "symbolism" on the picture in the history of art, this paper discusses the universality of "symbolism" in the operation of oil painting. The second parts of the article start with the works of my postgraduate stage, On the two aspects of the different "attempts of painting language" and "the exploration of the theme of painting", the author tries to clarify the thinking of the stage of my creation. The third part introduces the artist who has a direct influence on the process of his own creation, and tries to restore the source of his creation and the motive of his works by analyzing their paintings; after that, the paintings are created in oil painting. In practice, the symbolism is specifically applied in my paintings, focusing on three parts: composition and color, narration and anti narration, and body and individual experience. Fourth parts, exploring the meaning of "symbolic expression" in the contemporary context of the figurative painting. Through the symbolic meaning of the oil painting, the traditional mode of thinking pays attention to the reality, from the standpoint, experience and experience experience of the individual, and will continue to develop and continue the narrative of life content. It is the basic motive force of Chinese contemporary art to derive good works.

【学位授予单位】：新疆师范大学
【学位级别】：硕士
【学位授予年份】：2017
【分类号】：J204

【参考文献】