山水画中光影的研究

发布时间：2018-04-25 19:03

本文选题：山水画 + 光影　；参考：《渤海大学》2013年硕士论文

【摘要】：中国历史发展中儒道释三家的思想融入到了我们文化的气质之中，历史上很多的画家、理论家都受这三家思想的影响。我们的文化中传承了其中讲求的阴阳和畅、道法自然、天人合一的处世理念，个人追求的则是修身克己、中和中庸、身与物化、道艺相通的修行境界。中国山水画发展中画家的思想受到中国传统文化中儒道释文化影响很深，对山水画发展方向有很重要的指引作用。画家、文人都深受中国传统思想文化的影响，从其绘画作品、理论著述中都能反映出来。中国山水绘画受到了儒道释文化的中庸、清净和虚空的影响，体现了一种朴素与归隐的情志。对于外来的绘画技法，在古代的画家与文人心目中并不会有多么重要的位置，这一思想也是因为多方面的原因所导致。南北朝印度传来西方晕染凹凸阴影之法，虽一时有人模仿，然终为中国画风所排斥放弃，不合中国心理。中国传统山水画中对光影的表现自有一套体系。从文化思想上到对于强调笔墨的运用再到画家个人的追求上都没有强调光影的作用，只是把光影的作用包容于对于绘画笔墨与意境的理解之中。谈到中国画的发展，特别是到了近代，无法回避的就是西方绘画对中国传统绘画的冲击，在两股不同文化背景下产生出来的绘画艺术相互冲击之下，使传统绘画受到了巨大的影响。这种影响不同于以往传统艺术自身风格变革所产生的影响，而是从根本上改变了一些人对于绘画的目的性、实用性以及价值观的认识。对于绘画中光影的存在，越来越多的人开始重视，西方绘画中光影的重要程度与表现的强烈视觉冲击使得国人感到了耳目一新，，同时在美术界也产生了及其重大的影响。现当代中国画家对于光影表现的技法和理论，探索加深表现光影的可行性，并且肯定与赞赏中国山水画家在光影表现领域的突出贡献。中国画表现上的发展建立于中国传统绘画理论的基础之上，西方绘画的技法起到了相当大的促进作用。中国画表现光影需要进一步兼顾学习传统绘画与吸收西方有益绘画经验技法。藉此拓展中国山水画的表现空间。中西文化的交融使得中国山水画的表现形式得到了丰富与发展，光影因素在中国山水画中表现具有广阔的前景。
[Abstract]:In the development of Chinese history, the three schools of Confucianism, Taoism and Buddhism were integrated into the temperament of our culture, and many painters and theorists in history were influenced by these three thoughts. Our culture inherits the philosophy of "Yin and Yang" and "unobstructed", "Taoism is natural" and "harmony of nature and man", while the individual pursues the spiritual realm of self-cultivation, neutralization, materialization, Taoism and art. The thought of painters in the development of Chinese landscape painting is deeply influenced by Confucianism, Taoism and Buddhism culture in Chinese traditional culture, which plays an important role in guiding the development direction of landscape painting. Painters and literati are deeply influenced by Chinese traditional ideology and culture, which can be reflected in their paintings and theoretical works. Chinese landscape painting is influenced by the mediocrity, purity and emptiness of Confucianism, Taoism and Buddhism. For foreign painting techniques, in the minds of ancient painters and literati will not have a very important position, this thought is also caused by various reasons. The law of western dizziness and shading came from India in the Southern and Northern dynasties. Although it was imitated for a while, it was rejected and abandoned by the Chinese painting style, which was not in accordance with Chinese psychology. The performance of light and shadow in Chinese traditional landscape painting has its own system. From the cultural thought to emphasize the use of ink and pen to the individual pursuit of the painter did not emphasize the role of light and shadow, but the role of light and shadow to the understanding of painting ink and artistic conception. When it comes to the development of Chinese painting, especially in modern times, what cannot be avoided is the impact of Western painting on Chinese traditional painting, under the impact of two different cultural backgrounds. Traditional painting has been greatly influenced. This kind of influence is different from the influence of the traditional art's own style change in the past, but has fundamentally changed some people's understanding of the purpose, practicability and values of painting. For the existence of light and shadow in painting, more and more people began to pay attention to the importance of light and shadow in Western painting and the strong visual impact made the people feel fresh and fresh, at the same time in the field of art has also had a significant impact. The techniques and theories of modern and contemporary Chinese painters on the performance of light and shadow explore the feasibility of deepening the performance of light and shadow and affirm and appreciate the outstanding contributions of Chinese landscape painters in the field of light and shadow performance. The development of the performance of Chinese painting is based on the theory of Chinese traditional painting, and the technique of western painting has played a significant role in promoting it. It is necessary to study traditional painting and absorb the experience of western painting. In order to expand the performance of Chinese landscape painting space. The combination of Chinese and Western cultures has enriched and developed the forms of Chinese landscape painting, and the factors of light and shadow have broad prospects in the performance of Chinese landscape painting.
【学位授予单位】：渤海大学
【学位级别】：硕士
【学位授予年份】：2013
【分类号】：J212

【参考文献】