中国花鸟画中的孔雀形象研究

发布时间：2018-04-26 00:20

本文选题：花鸟画 + 孔雀　；参考：《云南艺术学院》2016年硕士论文

【摘要】：中国花鸟画是中国传统绘画题材范围涉及的以花卉、禽鸟为表现对象的一种绘画形态,画家通过笔墨描绘自然界的花草树木,飞禽走兽来传达思想感情,反映特定寓意,给人以美的启迪和享受。孔雀不产自中原,内地稀有少见,古时只能通过西域或属地进贡至中原王朝才使得宫廷画家得以机会观察描绘,因此古代美术作品中的孔雀题材不及麻雀、仙鹤、老鹰等常见,但孔雀因其奇异造型和缤纷色彩,亦被历代宫廷画家作为象征封建皇权和太平盛世的题材而描绘,直至近现代随着孔雀进入百姓生活和画家个人意识的觉醒,孔雀逐渐被大量画家重视,孔雀形象亦由封建皇权的象征逐渐走进普通百姓视野,成为歌颂大自然,体现美好生活的题材。本文以中国传统花鸟画中孔雀形象的嬗变为线索,从艺术语言和艺术内涵等角度,对中国传统花鸟画中的孔雀形象加以研究。
[Abstract]:The Chinese flower and bird painting is a painting form involving flowers and birds as the object of Chinese traditional painting. The painter portrayed the flowers and trees in nature by the pen and ink. Birds and animals convey thoughts and feelings, reflect specific allegations, give people the inspiration and enjoyment of beauty. As the tribute of the western regions or territories to the Central Plains king made the palace painters to be able to observe and depict, the peacock theme in the ancient art works is not as common as the sparrows, cranes, and eagles, but the peacock is depicted by the imperial court painters as a symbol of the imperial power and the peace of the world as a symbol of its strange shapes and colourful colors. With the peacock entering the people's life and the awakening of the painter's personal consciousness, peacock has gradually been paid attention to by a large number of artists. The image of peacock is also gradually entered into the common people's vision by the symbol of the feudal imperial power, and becomes the theme of singing the praises of nature and reflecting the beautiful life. This article is a clue to the evolution of the peacock image in Chinese traditional flower bird painting, from the artistic language. From the perspective of language and art connotation, we study the peacock image in Chinese traditional flower and bird painting.

【学位授予单位】：云南艺术学院
【学位级别】：硕士
【学位授予年份】：2016
【分类号】：J212

【相似文献】