逆境与重生:论中国古代遗民画家的艺术观

发布时间：2018-04-29 03:31

  本文选题：逆境 + 重生　； 参考：《江西社会科学》2017年09期

【摘要】：中国古代历史中的遗民与遗民画家主要集中在元明清之际,伴随着朝代更迭而层出不穷。作为画家所需要的来源于生活的艺术素材却被国家灭亡、自身生存危机的现实境遇所替代,抉择是遗民画家首要面临的问题,出仕和不仕甚至成了评判人格的标准。本文旨在梳理中国古代遗民画家在亡国背景下,面临艰难处境所表现出的绘画艺术观念,从而了解他们在逆境中迷惘、成长与重生的精神诉求。作为一个艺术群体,他们在政治立场、人生观、创作手法上有着近似的一致性,这就可能引发一门新的学科,即"遗民群体文化学"的深入研究。
[Abstract]:In ancient Chinese history, the painters and relic painters mainly concentrated in the Yuan, Ming and Qing dynasties, along with the change of dynasties. As the art material which the painter needs from the life but is replaced by the reality situation which the country perishes and the survival crisis, the choice is the most important problem faced by the painters, and even becomes the criterion of judging personality. The purpose of this paper is to sort out the artistic conception of Chinese ancient painters facing the difficult situation under the background of national subjugation, so as to understand their spiritual demands of bewilderment, growth and rebirth in adversity. As an art group, they have similar consistency in political standpoint, outlook on life and creative techniques, which may lead to a new subject, that is, the in-depth study of "the cultural studies of the bereaved group".
【作者单位】： 西安科技大学艺术学院;
【基金】：国家社科基金艺术学青年项目“汉唐中外美术交流史”(16CF164)
【分类号】：J203
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本文编号：1818216