当前位置:主页 > 文艺论文 > 绘画论文 >

香港地区近现代水墨山水画绘画风格研究

发布时间:2018-05-02 19:56

  本文选题:香港地区 + 近现代 ; 参考:《河南师范大学》2013年硕士论文


【摘要】:水墨画是一个独特的艺术门类,在中国,其历史悠久,传承有序,千百年来历久弥新且蒸蒸日上。在有着深厚文化背景的中国,许多城市成为了传播和继承水墨画的阵地,如北京,安徽,广东,浙江等。这些城市有着各自丰富漫长的历史和文化,所以他们因地域的不同而形成了各自的流派和多元化的风格。香港地处中国南方一隅,以中国人为主,百年来从渔业社会发展成商贸都市。成为英国的殖民地后,不断受到来自西方思潮的影响,但毕竟隶属中华大地,因而无论在文化、生活方式还是艺术方面都保存着中华民族的优良传统。虽然香港文化的历史不长,但由于其独特的地理位置,政治和文化背景异于大陆内地,因而香港的水墨画呈现出一股特殊的风貌,在绘画领域中绽放异彩,成为新水墨艺术的摇篮。 香港地区近现代水墨山水画是建立在中国传统山水画的基础之上,近百年来一直持续发展着。在过去的一个世纪中,中国社会文化的变迁,时局的动荡,许多大江南北的画家为了躲避战争,纷纷逃到香港以寻求自由发展的空气。大陆水墨画家的到来,,使水墨山水画移植香港,并随着香港社会文化的不断发展而得以继承和传播。虽然香港当时已处在东西方文化冲突之地,西方文明务必会对香港水墨画产生影响,但不可否认的是,这种在冲突下成长起来的特殊艺术形态,俨然已成为香港水墨画的特色,因此,吸收和融合东西方文化的水墨山水画既源于中国传统山水画,又在外来的冲击下有所改造。 本文专门探讨香港地区近现代水墨山水画的绘画艺术风格,以及大陆内地的传统绘画和西方艺术在香港的传播与其关系。通过对当今香港地区近现代水墨山水代表画家作品的分析,对绘画风格、语言和内容进行系统的总结和梳理,旨在透过这些代表画家的作品进一步认识香港地区近现代绘画的独特魅力,理解香港地区近现代水墨山水画发展的内在规律。在当代,香港水墨山水画是一个新的中国画的表现内容,他有着非常广阔的发展前景,任何个人的实践与理论探索都将成为它未来大厦的一块砖瓦。香港艺术家致力于在中国文化中寻根,同时也将新时代的精神作为自己创作上积极改革的一条主脉,在探索水墨画的道路上,能够做到求新求变,把香港变成一块富有地域色彩且令人瞩目的独特艺术天地。
[Abstract]:Ink painting is a unique art category, in China, its long history, inheritance order, thousands of years old and prosperous. In China with a deep cultural background, many cities have become the dissemination and inheritance of ink painting, such as Beijing, Anhui, Guangdong, Zhejiang and so on. These cities have a long history and culture, so they form their own schools and diverse styles according to their different regions. Hong Kong is located in a corner of southern China, mainly Chinese, developed from fishing society into a commercial city over the past hundred years. After becoming a colony of Britain, it was constantly influenced by western thoughts, but it belonged to the Chinese land, so it preserved the fine tradition of the Chinese nation in culture, way of life and art. Although the history of Hong Kong culture is not long, due to its unique geographical location, political and cultural background is different from the mainland, so the ink painting in Hong Kong presents a special style, blooming in the field of painting. To become the cradle of new ink art. The modern ink landscape painting in Hong Kong is based on the traditional Chinese landscape painting, which has been developing continuously in the past hundred years. In the past century, with the changes of Chinese society and culture and the turbulence of the situation, many painters from the north and south of the river fled to Hong Kong to seek the air of free development in order to avoid the war. With the arrival of the Chinese ink and wash painters, the landscape painting was transplanted to Hong Kong and inherited and spread along with the continuous development of Hong Kong's social culture. Although Hong Kong was already in the midst of a cultural conflict between the East and the West, and Western civilization must have an impact on Hong Kong's ink painting, it is undeniable that this particular artistic form, which has grown up under the conflict, has become a feature of Hong Kong's ink painting. Therefore, the absorption and integration of East and West culture of ink landscape painting not only originated from Chinese traditional landscape painting, but also under the impact of external transformation. This paper mainly discusses the artistic style of painting in Hong Kong, and the relationship between the traditional painting in the mainland and the spread of western art in Hong Kong. Through the analysis of the works of modern and modern ink and landscape painters in Hong Kong, the style, language and content of paintings are systematically summarized and combed. The purpose is to further understand the unique charm of modern painting in Hong Kong through the works of these representative painters and to understand the inherent law of the development of modern ink and landscape painting in Hong Kong. In the contemporary, Hong Kong ink landscape painting is a new Chinese painting performance content, he has a very broad development prospects, any individual practice and theoretical exploration will become its future building a brick. Hong Kong artists are committed to finding roots in Chinese culture. At the same time, they regard the spirit of the new era as a main vein of positive innovation in their creative work. Turn Hong Kong into a unique art world rich in regional color and eye-catching.
【学位授予单位】:河南师范大学
【学位级别】:硕士
【学位授予年份】:2013
【分类号】:J212

【相似文献】

相关期刊论文 前10条

1 周汉;;对《唐人山水画新考》的几点质疑[J];南京艺术学院学报(音乐与表演版);1980年01期

2 倪雪;;陕西吕村唐墓山水屏风画粉本及绘画风格考[J];数位时尚(新视觉艺术);2009年06期

3 马鸿民;;中唐禅宗思想变迁与水墨山水画兴起[J];荣宝斋;2009年03期

4 周勇;;对水墨山水画之积墨技法的探讨[J];重庆邮电大学学报(社会科学版);2007年04期

5 李灵芝;;“言有尽而意无穷”——论倪瓒山水画的空疏美[J];美与时代;2005年12期

6 蒋嵩;;《渔舟读书图》[J];老年教育(书画艺术);2009年02期

7 夏与参;;皴法研究[J];新美术;1985年01期

8 段非奴;李申;;白描式画风与渴笔山水画的成立——以赵孟

本文编号:1835267


资料下载
论文发表

本文链接:https://www.wllwen.com/wenyilunwen/huihuayishu/1835267.html


Copyright(c)文论论文网All Rights Reserved | 网站地图 |

版权申明:资料由用户63ccb***提供,本站仅收录摘要或目录,作者需要删除请E-mail邮箱bigeng88@qq.com