拿来主义影响下的中国近当代油画创作
本文选题:油画艺术 + 拿来主义 ; 参考:《辽宁师范大学》2013年硕士论文
【摘要】:在中国近当代油画创作中每一种油画语言都受到了拿来主义的影响,本文通过对拿来主义影响下的中国近当代油画创作的发展轨迹进行梳理,目的在于使读者从文中了解到拿来主义的观点是以怎样的方式改变着中国近当代油画的具体方向的,本文主要通过三章内容来进行说明拿来主义对油画艺术的影响,以及近现代油画是如何结合自身特点稳步向前发展的。 首先,本文以拿来主义观点对中国近当代油画艺术的影响进行阐述,拿来主义是在怎样的条件下产生出来的,在艺术的创作过程中为什么要结合拿来的观点,让读者明白拿来的含义不仅仅是只针对于政治思想和文学领域,在油画创作中也要吸收拿来的理念,这样艺术才能发展和壮大,鲁迅的拿来主义本质精髓就是要人们在拿来时要做到有选择性的拿,为我所用的拿,不卑不亢的拿。所有人类发展史上的优秀经验都是可运用的,所以在对于艺术的创新上也是应该如此。 其次,举例说明中国近当代不同时期具有代表性的油画艺术家并对其艺术风格和作品进行评论,阐述这些艺术家是如何运用拿来主义的观点吸取了西方油画创作的精髓,并在结合中国传统艺术文化以后,励精图治的改革着我国的油画艺术的面貌。中国油画的发展不过百年,但是所取得的艺术成就确是整个世界有目共睹的,这些成就也是我们的老一辈油画艺术家和新生代油画工作者们共同努力的结果,,他们不仅将西方绘画中严谨的造型理念,和对光影的处理方法进行了传承,而且结合了中国画和中国传统工艺的理念进行创新,既对油画技法进行了改良,又发扬了油画的原始魅力。 最后,对古典写实油画、具象油画、当代油画、写意油画和抽象油画等各种油画风格进行讲解,并结合自己学习油画的经历阐述观点,在运用好拿来主义以后应该怎样创作,结合国家的发展,深层次的理解拿来主义的含义,歌颂我国改革开放以后在政治、经济、文化、艺术等领域所取得突出的成就,在吸取了先进的经验以后,又结合自己的国情探索出了一套先进而科学的发展理念。所以在今后的时间里我国的油画艺术事业必将像我国的整体实力一样迈上一个新的台阶。
[Abstract]:In recent Chinese contemporary oil painting creation, every oil painting language has been influenced by the doctrine. This paper combs the development track of the Chinese modern oil painting creation under the influence of the latter-day oil painting. The purpose of this paper is to make readers understand the specific direction of the contemporary Chinese oil painting in the way that the view of Lilayism changes. This paper mainly explains the influence of the doctrine on the art of oil painting through three chapters. And modern oil painting is how to combine their own characteristics of steady development. First of all, this paper expounds the influence of this view on the contemporary oil painting art in China, under what conditions, and why the artistic creation process should be combined with the point of view. Let the reader understand that the meaning is not only aimed at the field of political thought and literature, but also absorbs the idea in oil painting creation, so that the art can develop and expand. The essence of Lu Xun's latticism is that people should take it selectively, what is used by me, and not humbly. All good experiences in the history of human development are available, and so should be the innovation of art. Secondly, illustrating the representative oil painting artists in different contemporary times in China and commenting on their artistic style and works, how these artists draw the essence of Western oil painting by using the view of taking advantage of the doctrine. And in combination with Chinese traditional art culture, the reform of China's oil painting art face. The development of Chinese oil painting is only a hundred years, but the artistic achievements made by the whole world are indeed obvious to all. These achievements are also the result of the joint efforts of our older generation of oil painting artists and the new generation of oil painting workers. They not only passed on the rigorous modeling idea of western painting and the processing method of light and shadow, but also combined the idea of Chinese painting and Chinese traditional craft to innovate and improve the oil painting technique. And developed the original charm of oil painting. Finally, to explain various oil painting styles such as classical realistic oil painting, concrete oil painting, contemporary oil painting, freehand painting and abstract oil painting, and combine their own experience of studying oil painting to expound their views, and how to create oil painting after making good use of the doctrine of making use of it. In the light of the development of the country, to understand at a deeper level the meaning of latticism, to celebrate China's outstanding achievements in the political, economic, cultural, artistic and other fields after the reform and opening up, and after absorbing advanced experience, Combined with their own national conditions to explore a set of advanced and scientific development concept. Therefore, in the future, China's oil painting industry will be like the overall strength of our country to a new level.
【学位授予单位】:辽宁师范大学
【学位级别】:硕士
【学位授予年份】:2013
【分类号】:J213
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