浅析中国传统绘画画中屏风设置的意义

发布时间：2018-05-05 05:08

本文选题：中国绘画 + 屏风　；参考：《景德镇陶瓷学院》2014年硕士论文

【摘要】：屏风自古以来多以家具为主，而且在书画中多有出现。而中国绘画中的屏风往往具有深刻的意义。屏风不仅仅是画中的得一个景物，而且在书画中有着空间的含义。屏风有“正”，，“背”之分，竖立的屏风不仅把整体空间分割成两个不同的区域，即屏风的前后，而且也赋予这两个区域的以明确的含义。对于背朝屏风或是被屏风或是被屏风环绕的人来说，屏风后面从视线中消失，这就形成了一个立体的空间。而从另一个角度来看，画中屏风的不仅表现出立体空间感，还从人心的角度反应出画中人物的当时心境本文就以各式各样屏风图为例围绕画中屏的位置以及屏风给人的寓意为出发点，展开的对屏风图式的探究。并通过对中国传统屏风传递传统文化精神进行深入的研究。在研究过程中，作者在前人的研究中成果上力求突破，从审美，视觉，以及艺术心理的视角来对中国绘画中屏风进行释读。
[Abstract]:Screen since ancient times to furniture, and more in painting and calligraphy. The screen in Chinese painting often has profound significance. Screen is not only a scene in painting, but also has the meaning of space in painting and calligraphy. The screen is divided into "positive" and "back". The erect screen not only divides the whole space into two different areas, but also gives the two regions a clear meaning. For a person with a back toward or surrounded by a screen, the screen behind the screen disappears from view, creating a three-dimensional space. From another point of view, the screen in the painting not only shows a sense of three-dimensional space, but also reflects the mood of the characters in the painting from the point of view of the human heart. This paper explores screen schemata by taking various screen diagrams as examples, focusing on the position of screen in the painting and the moral given by screen as the starting point. And through the traditional Chinese screen transmission of traditional cultural spirit in-depth study. In the course of the research, the author tries to break through the achievements of previous studies and interpret the screen in Chinese painting from the perspective of aesthetic, visual and artistic psychology.
【学位授予单位】：景德镇陶瓷学院
【学位级别】：硕士
【学位授予年份】：2014
【分类号】：J205

【参考文献】