论中国山水画创作中的装饰性倾向

发布时间：2018-05-05 04:00

本文选题：中国山水画创作 + 装饰　；参考：《曲阜师范大学》2014年硕士论文

【摘要】：本文从山水画创作中的装饰性倾向这个角度来分析解读中国山水画艺术，对装饰性的造型、笔墨、色彩与构图等要素依次进行了较为全面而深入的探讨。论证了山水画表现语言与装饰性的关系，装饰性作为一种绘画语言，它的介入使山水画艺术在漫长的发展过程中始终保持旺盛的生命力，焕发着异样的光彩。中国山水画表达的是一种意境，有着深刻的文化内涵，它不以模仿自然为能事，而是画家的“心迹”通过自然山水这一媒介在艺术上的表现，带有强烈的主观意识与感情色彩，有着自己独特的审美规则，表现语言与表现形式也多种多样。装饰性就是它独特的审美表现语言之一。重装饰性不仅仅是中国山水画的优良传统，而且还极大地丰富了当代山水画创作的表现语言与表现形式，拓展了当代山水画创作的发展空间，有着不可替代的地位和意义。文章的主要内容如下：在绪论部分，作者指出了对山水画创作中的装饰性倾向这个问题研究的必要性和研究目的，以及研究所涉及的六个主要内容。我们研究山水画创作中的装饰性画风，挖掘它的艺术魅力，探索山水画技法继承和创新的各种途径与可能性，继承和发扬民族的传统艺术。中国山水画的装饰性倾向不只是一种形式的外在美，还有它自身的美学内涵。本文运用阐述、讲解、举例分析等解析装饰性倾向。指明了文章研究的方向和方法。第一，对所谓的装饰和装饰性倾向做了深刻的论述，对装饰性和装饰绘画加以概述和区分。装饰性和装饰绘画虽然有着不同的含义，但是它们之间又有着一定的联系。对这两个问题的区分给予清晰的分析，然后通过一系列的山水画作品说明了装饰性和山水画具有深厚的历史渊源。第二，通过详细地解析了装饰性倾向在山水画创作中的表现形式，把山水画装饰性的元素通过绘画的作品和表现的形式具体呈现给大家，让大家在绘画作品的实例中深刻的理解本文的主旨要义。这样更加使得文章主旨清晰、明朗。第三，阐述了装饰性倾向的重要性，赋予它独特的艺术魅力。用装饰性的创造性思维使得中国传统山水画的表现语言得到了拓展和延伸，装饰性是有独特的艺术价值，可是在山水画中，它是根植于传统山水画的，它会作为一种绘画语言被更多的运用到山水画的创作过程中，而且这是一种更为受众的艺术表达方式，更贴近生活更加的符合现代的欣赏水平，使得这项艺术更具有时代的气息，传统山水画将有更广阔的发展空间，让中国传统山水画呈现出丰富多彩的艺术特色。探究了山水画创作中的装饰性倾向，以及对它的继承与发展。第四，我们不可能活在古代，不可能对山水画只是停留在传统的发展上面，我们对山水画创作中的装饰性倾向的深刻认识，是为了装饰性的手法能更好的指导山水画创作实践，从而让我们深刻的理解到装饰性倾向对当代山水画的深远意义。山水画的装饰性特色赋予了山水画的审美功能，，它的审美功能使得它成为一门实用的艺术，它在家居装饰领域中发挥着十分积极的作用，它以浓郁的中式风格、独特的审美功能在装饰领域中独树一帜，我们从中得出对此问题的领悟，引起人们的思索。最后是文章的结语，概括了文章的主旨要义，点明论点的重要性和必要性。
[Abstract]:This article analyzes and interprets Chinese landscape painting from the angle of the decorative tendency in the creation of landscape painting, and makes a thorough and thorough discussion on the decorative shape, ink, color and composition in order to demonstrate the relationship between the language and the decoration of the landscape painting, and the decoration as a painting language. In the long course of development, the art of water painting remains vigorous and radiant. Chinese landscape painting expresses a kind of artistic conception, and has profound cultural connotation. It does not imitate nature, but it is an artistic expression of the painter's "heart" through the natural landscape, with a strong subjective meaning. It has its own unique aesthetic rules and a variety of language and expression forms. Decoration is one of its unique aesthetic expressions. Heavy decoration is not only a fine tradition of Chinese landscape painting, but also rich in the expression and expression of contemporary landscape painting. The development space of landscape painting has an irreplaceable position and significance. The main contents of the article are as follows:
In the introduction part, the author points out the necessity and research purpose of the study of the decorative tendency in the creation of landscape painting, as well as the six main contents involved in the study. We study the decorative painting style in the creation of landscape painting, excavate its artistic charm, explore various ways and possibilities of the inheritance and innovation of the techniques of landscape painting. To inherit and carry forward the traditional art of the nation. The decorative tendency of Chinese landscape painting is not only a form of external beauty, but also its own aesthetic connotation. This article uses elaboration, explanation, example analysis to analyze decorative tendencies. It points out the direction and methods of the study. First, it makes a profound discussion on the so-called decorative and decorative tendencies. In this paper, the decorative and decorative paintings are summarized and distinguished. Although decorative and decorative paintings have different meanings, there are some connections between them. A clear analysis of the distinction between the two problems is given, and a series of landscape paintings show the profound historical origin of ornamental and landscape paintings. Two, through the detailed analysis of the decorative tendency in the landscape painting in the form of the expression, the elements of the landscape painting decorative elements through the works and manifestations of the concrete presentation to everyone, let everyone in the painting works of a profound understanding of the main meaning of this article. This makes the article more clear, clear. Third, explain. The importance of decorative tendency is described and its unique artistic charm is given. The expressive language of Chinese traditional landscape painting is extended and extended with decorative creative thinking. Ornament is of unique artistic value. But in the landscape painting, it is rooted in traditional mountain water painting, and it will be used as a painting language more. In the creation process of landscape painting, and this is a more audience art expression way, closer to life more in line with the modern appreciation level, making the art more of the atmosphere of the times, the traditional landscape painting will have a broader space for development, and make Chinese traditional landscape painting a rich and colorful artistic features. The decorative tendency in the creation of landscape painting, as well as the inheritance and development of it. Fourth, we can not live in ancient times, it is impossible to stay on the traditional development of landscape painting, and our profound understanding of the decorative tendency in the creation of landscape painting is to guide the practice of landscape painting in order to better guide the practice of landscape painting. Let us deeply understand the profound significance of the decorative tendency to the contemporary landscape painting. The decorative features of the landscape painting give the aesthetic function of the landscape painting. Its aesthetic function makes it a practical art. It plays a very active role in the field of home decoration. It has a strong Chinese style and unique aesthetic function. In the field of decoration, we get the understanding of this problem and arouse people's thinking. Finally, it is the conclusion of the article, which summarizes the main meaning of the article, and points out the importance and necessity of the argument.

【学位授予单位】：曲阜师范大学
【学位级别】：硕士
【学位授予年份】：2014
【分类号】：J212

【参考文献】