中国传统山水画色彩研究

发布时间：2018-05-10 07:04

本文选题：山水画 + 色彩　；参考：《鲁东大学》2014年硕士论文

【摘要】：纵观历史发展，早期的中国山水画是以色彩的面貌呈现的，作为一种独特的审美形式，已有上千年的历史。在山水画创作中“色”与“墨”同属于中国山水画色彩表现的形式，而水墨则是在一个相对特殊的文化背景下被文人发展到极致的一种绘画形式，源于不同的中国哲学观。“五行与五色”、“随类赋彩”和“水墨为上”等在一定程度上都具有相对的审美准则与审美标准。在唐宋时期色彩的表现形式更趋向于水墨时代的转换，自元之后到明清时期，水墨开始成为文人绘画抒情达意的最直接表现方式。近现代西方文化的涌入在一定程度上影响了山水画的发展自此山水画便开始吸收了西方绘画的色彩观，借洋兴中的转变，并以此来弥补笔墨与色彩在绘画表现上的失衡。故而通过对山水画色彩发展历程的探究，来探索和发展中国画给我们带来了深刻的启示。本文从以下三个方面论述：第一部分主要论述了不同哲学精神关照下的色彩与审美理论的阐述。并且从中国传统山水画的色彩观入手，对“五行五色观”“儒家色彩观”“道家色彩观”等绘画观念的分析来探究传统山水画色彩表现的内在特质。第二部分主要叙述了中国传统山水画色彩的发展演变过程，通过对历代绘画作品的横向比较，描述了“随类赋彩”和“水墨为上”以及“文人绘画”的色彩表现形式，，明晰了色墨之间的关系并不是绝对对立的，而是并存于山水画色彩的发展过程中的，只是在不同的历史时期所处的地位不同，这说明色彩在发展的过程中具有一定的时代性。第三部分主要从西方近现代色彩观对中国山水画的影响为切入点，横向比较了中西方对于色彩的不同认知和表现，论述了在西方文化的涌入与冲击中画家对于绘画的变革，进而彰显了现代中国山水画色彩观的发展，从而促成了中国山水画由传统向现代的转变。因此，可以说时代性是艺术发展的重要标志，在一定的历史文化背景下已有的绘画理念不能满足现世文化精神的追求，因而必须选择与之相适应的新形势。在当下确立色彩的审美价值取向，色墨相融，色墨并重，充分发挥色彩的视觉表现能力，立足于中国山水画色彩表现的基础上，吸纳多元的文化，建立符合时代意义的色彩表现体系，必将为当代中国山水画的色彩发展增添新的生机。
[Abstract]:Throughout the historical development, the early Chinese landscape painting is presented in the face of color, as a unique aesthetic form, has a history of thousands of years. In the creation of landscape painting, "color" and "ink" both belong to the form of color expression of Chinese landscape painting, while ink painting is a painting form developed to the extreme by literati under a relatively special cultural background, which originates from different views of Chinese philosophy. To some extent, "five elements and five colors", "with the kind of color" and "ink painting as the top" have relative aesthetic standards and standards to a certain extent. In the Tang and Song dynasties color expression more tend to the transformation of the era of ink, from the Yuan Dynasty to the Ming and Qing dynasties, ink began to become the literati painting lyrical expression of the most direct way. The influx of modern western culture has influenced the development of landscape painting to a certain extent since then landscape painting began to absorb the color view of western painting and make up for the imbalance between painting and ink and color. Therefore, through the exploration of the development of landscape painting color, to explore and develop Chinese painting to bring us profound inspiration. This paper discusses the following three aspects: The first part mainly discusses the color and aesthetic theory under the care of different philosophical spirit. And from the color view of Chinese traditional landscape painting, this paper analyzes the painting concepts such as "five elements and five colors", "Confucian color view" and "Taoist color view" to explore the inherent characteristics of traditional landscape painting color performance. The second part mainly describes the development and evolution of the color of Chinese traditional landscape painting, through the horizontal comparison of the painting works of the past dynasties, describes the color expression forms of "painting with different classes", "painting with ink" and "painting by literati". It is clear that the relationship between color and ink is not absolute opposition, but coexisting in the development of landscape painting color, but in different historical periods in different positions, which shows that color in the process of development has a certain age. The third part mainly from the western modern color view to the Chinese landscape painting influence as the cut-in point, has compared the Chinese and the west regarding the color different cognition and the performance horizontally, has discussed the painter to the painting transformation in the western culture influx and the impact. The development of color view of modern Chinese landscape painting has been highlighted, thus promoting the transformation of Chinese landscape painting from traditional to modern. Therefore, it can be said that the epoch is an important symbol of the development of art. Under a certain historical and cultural background, the existing painting ideas can not meet the pursuit of the spirit of the present world culture, so we must choose a new situation corresponding to it. At present, we should establish the aesthetic value orientation of color, merge color and ink, pay equal attention to color ink, give full play to the visual expression ability of color, based on the color expression of Chinese landscape painting, absorb multiple cultures, The establishment of color expression system in accordance with the meaning of the times will add new vitality to the color development of contemporary Chinese landscape painting.
【学位授予单位】：鲁东大学
【学位级别】：硕士
【学位授予年份】：2014
【分类号】：J212

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