浅析中国水彩画中的“留白”之道

发布时间：2018-05-10 10:55

本文选题：西方传统水彩画 + 东方审美意识　；参考：《云南艺术学院》2014年硕士论文

【摘要】：水彩画作为西洋绘画的一种艺术形式传入中国只有百年，却因其水质材料的种种特点而与中华民族的审美意识相共鸣。并且水彩画家在接受该画中的同时，自觉地用中华民族的审美意识和认知方式加以改造和拓展。他们将这种民族精神注入西方绘画写实技巧之中，传递出无限空灵的中国诗意的水彩画模式，一方面保留了西方水彩画的构图、光色、明暗、造型等长处，一方面又融进了中国画笔性、水意、气韵、意境等特色。中国水彩画，在思想精神上同中国传统“天人合一”的美学思想相契合，作品被赋予雅致的诗意气质；而在绘画技法上又由传统中国画技法衍生而来对水、色、笔、纸等的相互驾驭能力，这使得中国水彩画在绘画技法上具有了先天优势。可以说中国水彩画的历史是中西融合的历史，其传统也是中西融合的传统，这种融合是中西方文化的许多精华在这里得到交汇碰撞呈现出迷人的艺术空间。儒道佛互补，构成中国人浪漫潇洒得审美意识，讲求“虚、灵、空、淡”。水彩画畅快、雅致、灵动的视觉效果，最能让人感悟到那种幽深清远，淡泊自然的东方神韵，因而，中国水彩画整体面貌的特殊情调，更多的是一种意蕴，一种诗意化的感受，适应了中国人精神生活中的感情需要。今天，经过几代水彩人的吸收和消化，当代中国的水彩画在审美、观念和技法等各方面逐渐摆脱了西方传统的制约，，本文以“留白”作为切入点，思考了中国传统绘画中的“留白”运用在中国水彩中的审美意义。
[Abstract]:As an artistic form of Western painting, watercolor painting has been introduced into China for only one hundred years, but it resonates with the aesthetic consciousness of the Chinese nation because of its various characteristics of water quality materials. And watercolor painters, while accepting the painting, consciously use the aesthetic consciousness and cognitive way of the Chinese nation to reform and expand. They infused this national spirit into the realistic techniques of Western painting, delivering an infinite and empty pattern of Chinese poetic watercolor painting. On the one hand, they retained the advantages of Western watercolor painting, such as composition, light, shade, shape, and so on. On the one hand into the Chinese brushwork nature, water meaning, charm, artistic conception and other characteristics. Chinese watercolor painting is in line with the traditional Chinese aesthetic thought of "harmony of nature and man" in ideology and spirit, and the works are endowed with elegant poetic temperament, and the painting techniques are derived from the traditional Chinese painting techniques to give rise to water, color and pen. The mutual control ability of paper and so on makes Chinese watercolor painting have innate advantage in painting technique. It can be said that the history of Chinese watercolor painting is the history of the integration of China and the West, and its tradition is also the tradition of the integration of China and the West. Confucianism, Taoism and Buddhism complement each other, forming the Chinese aesthetic consciousness of romantic beauty, emphasizing "empty, spiritual, empty and light". The visual effects of watercolor paintings, which are delightful, elegant and intelligent, can make people most aware of the deep, deep and natural Oriental charm. Therefore, the special sentiment of the overall appearance of Chinese watercolor paintings is more of a kind of implication and a feeling of poetry. Adapted to the emotional needs of the Chinese spiritual life. Today, through the absorption and digestion of several generations of watercolor people, contemporary Chinese watercolor paintings gradually get rid of the restriction of western tradition in the aspects of aesthetics, ideas and techniques. Thinking about the aesthetic significance of the white space in Chinese traditional painting.
【学位授予单位】：云南艺术学院
【学位级别】：硕士
【学位授予年份】：2014
【分类号】：J215

【参考文献】