现代中国画特有色彩语言的探索与研究

发布时间：2018-05-11 13:21

本文选题：中国画色彩 + 传统敷色　；参考：《曲阜师范大学》2013年硕士论文

【摘要】：无论是中国画还是西方绘画，每个画种如国画、油画、水彩、水粉以及孩子眼睛世界里的儿童画油画棒画法，，无一不是重视色彩的，色彩是在整个画面第一眼看上去的第一美感和印象，是一幅画面上最外在的表现，也就是说色彩在整个中国画的发展中占有很重要的地位。在最初的中国画画面中，颜色方面比较重视的是色彩，也就是说，直到唐宋两代以前，中国画的画面中颜色是占相当大的比重的，在那个时候水墨变化不是很明显，墨色的这种神奇变化效果还没有被人们所研究和涉及，比较重视色彩在画面中的表现形式。从之前中国画的名称就可以看出，古人对色彩的重视之大，甚至中国画这种绘画的方式都被他们用丹和青这两种色彩的名称来称呼。这也可以看出色彩是中国画自古到今的发展历程中不可缺少的很重要的一部分。从古人给我们留下的重要文化遗址中我们可以看到古人的用色，古人有的将画画在岩石上，现在称其为原始岩画，还有后来的在墙上绘制的重彩壁画，以及一些墓室里的砖绘等，这些原始绘画作品中古人也是重视色彩的运用的，这也反映出我过古人对色彩的感情的一种表达。纵观绘画历史，从古人开始的重视色彩的运用到后来对水墨变化审美意识的提高再发展到后来的重视画面中颜色和水墨比重这种色墨并重的格局，在这个过程中，色彩的角色也是不断变化的，其在画面中的地位和墨相比来说也是由高到低，再到和墨持平的一个过程。中国画鲜明个性的手段则是色彩的独特运用。新文化运动之后，中国画的形式有了很大的变化，色彩的风格面貌也呈现出前所未有的丰富多彩的局面，无论是重彩工笔还是重彩写意，都体现了时代的发展精神，呈现出新的生机，在这一时期注重水墨和重彩的相结合。色彩是表达美感的最大众化和最直接的表现形式，当代画家只要全身心研究东方色彩的美丽所在，在中国画色彩原有进步基础上再走出一条属于自己的新路子。固守传统的同时勇于创新，中国画色彩的独有美感将会在世界色彩新形势下而独树一帜。色彩作为重彩画的重要表现手段，并且在现代开放、多元化的文化环境中，当代正需要这种强有力的视觉效果，新一代的中国画家们更需要重新认识中国画中色彩的重要性，还需要更好的去欣赏和继承，在中国画色彩发展过程中，还需要不断吸收西方外来艺术在中国画色彩中的强有力的应用，也适当地将民间传统的艺术更广大的引用到中国画色彩的发展中来。
[Abstract]:No matter it is Chinese painting or western painting, every kind of painting, such as traditional Chinese painting, oil painting, watercolor, water powder and children's eyes in the world of children's oil painting stick, all of them attach importance to color. Color is the first sense of beauty and impression at the first glance of the whole picture, which is the most external expression of a picture, that is, color occupies a very important position in the development of the whole Chinese painting. In the original Chinese painting, the color aspect paid more attention to the color, that is, until the Tang and Song dynasties, the color in the Chinese painting picture accounted for a considerable proportion. At that time, the change of ink and wash was not very obvious. This magical effect of ink color has not been studied and involved, more attention to color in the form of expression. From the name of Chinese painting before, we can see that the ancients attached great importance to color, and even the way of painting of Chinese painting was called by the names of Dan and Qing. It can also be seen that color is an indispensable part of the development of Chinese painting from ancient to present. From the important cultural sites that the ancients left us, we can see the colors of the ancients. Some of the ancients painted on rocks, now they call them primitive rock paintings, and then there are heavy color murals painted on the walls. As well as some tombs in the brick painting, these original paintings of the ancients are also attached importance to the use of color, which also reflects my ancient feelings for color an expression. Throughout the history of painting, from the application of color started by the ancients to the improvement of aesthetic consciousness of ink and wash changes later, to the pattern of attaching equal importance to color and ink in the later painting, in this process, The role of color is also constantly changing, its position in the picture compared with ink is also a process from high to low, and then to the same as ink. The means of distinctive personality of Chinese painting is the unique application of color. After the New Culture Movement, the form of Chinese painting has undergone great changes, and the color style has also presented an unprecedented colorful situation. Whether it is painstaking brushwork or painstaking brushwork, it embodies the spirit of development of the times. Showing new vitality, in this period pay attention to the combination of ink and color. Color is the most popular and the most direct form of expression of aesthetic feeling. As long as the contemporary painters study the beauty of oriental color with all their heart and soul, they can find a new way on the basis of the original progress of Chinese painting color. While sticking to tradition and innovating, the unique aesthetic sense of Chinese painting color will be unique in the new world color situation. Color as an important means of expression of heavy color painting, and in the modern open, diversified cultural environment, the contemporary is in need of this powerful visual effect, the new generation of Chinese painters need to re-understand the importance of color in Chinese painting, We also need to appreciate and inherit better. In the process of color development of Chinese painting, we also need to continuously absorb the powerful application of foreign western art in the color of Chinese painting. Also appropriate folk traditional art more extensive reference to the development of Chinese painting color.
【学位授予单位】：曲阜师范大学
【学位级别】：硕士
【学位授予年份】：2013
【分类号】：J212

【参考文献】