文徵明“茶事图”研究

发布时间：2018-05-11 19:30

本文选题：明代 + 山水画　；参考：《华东师范大学》2016年硕士论文

【摘要】：本文写作缘于对题材间杂糅问题的关注。明季山水画酝酿了极为丰富的园林作品,表现相似内容的绘作常常由于人物活动目的不同而产生细微差异,带来题材划分标准不甚明确的问题,频频出现的“茶事”元素往往隶属于“纪游”、“别号”、“雅集”、“送别”等题材,其独立性通常被学者模糊。将时空范围限定在明代吴中地区,选择文徵明的茶事作品,试图结合画家特殊人生经历,演绎出茶与画之间的互动魅力。从文徵明生平、茶事题材发展两方面着手,特别铺陈主人公科考不第、受荐入仕、退居林下的坎坷遭际,并详述了“茶事”因为自身不可替代的文化注解而可以剥离于其它题材的方式,为后续作品分析埋下伏笔；按由表及里、层层内转的逻辑顺序,分别从创作契机、作品特征及内涵三个角度,剖析画家为交游与抒发情志而作、以画面描写或以诗文题记的“茶事图”,表达退居林下、悠游于山水间的内心独白；文徵明为“茶事图”发展倾注了“陶潜式”的淡泊思想,为其后嗣及门人作出了优秀表率,后来者的承继无论产生何种变奏,此要旨一以而贯之。文章倚赖于文献资料的基础爬梳,以图文互证法,对传统山水题材作出细分,并为文徵明研究提供新视角的观察与解读。
[Abstract]:The writing of this paper is based on the concern about the mixture of subjects. The landscape painting of the Ming Dynasty brewed a lot of garden works, and the painting with similar contents often produced subtle differences because of the difference of the purpose of the characters' activities, which brought about the problem that the standard of the subject matter division was not very clear. The elements of "tea affair" often belong to "Ji you", "other name", "elegant collection", "farewell" and so on, whose independence is usually blurred by scholars. This paper limits the time and space range to Wuzhong area of Ming Dynasty, chooses Wen Zhengming's tea works, and tries to combine the painter's special life experience to deduce the interactive charm between tea and painting. From the aspects of Wen Zhengming's life and the development of tea subject matter, the protagonists were especially shown that the subject matter of the subject matter was not subject to scientific examination, that they were recommended for official service, and that they retired under the forest. It also details the ways in which "tea affairs" can be stripped off into other subjects because of its irreplaceable cultural annotations, and lays the groundwork for the analysis of subsequent works; according to the logical order from the outside to the inside, it turns from the opportunity of creation to the other. From the three angles of characteristics and connotation of the works, this paper analyzes the inner monologues of the painters who are drawn to express their feelings for the purpose of making friends and expressing their feelings, and to express their inner monologues which are written in pictures or inscribed in poems and poems to express the inner monologue which retreats under the forest and swims leisurely between the mountains and rivers. Wen Zhengming poured "Tao Qian style" into the development of "tea story map", and made an excellent example for his heirs and gate people. Based on the literature and literature, this paper makes a subdivision of the traditional landscape themes with the method of mutual proofs between pictures and texts, and provides a new perspective for the study of Wen Zhengming.
【学位授予单位】：华东师范大学
【学位级别】：硕士
【学位授予年份】：2016
【分类号】：J212

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