论吴冠中绘画的形式美

发布时间：2018-05-18 04:21

本文选题：吴冠中 + 形式美　；参考：《山西师范大学》2013年硕士论文

【摘要】：吴冠中先生是二十世纪中国绘画史上乃至国际艺坛上一个举足轻重不可替代的代表画家之一。吴冠中先生不仅是学贯中西绘画的艺术大师，同时他的文学巨著也是响誉国内外，给后人后人留下了丰硕的绘画作品和文学巨著，吴冠中先生在很多方面都造诣颇深，主要有油画、水墨、彩墨、速写和艺术理论、文学创作等方面。吴冠中先生最突出的成果就是把中国传统绘画的意境语言与西方现代绘画的表现手法相结合，利用中国传统的水墨方式来表现西方绘画的观念，同时又利用西方的油画的表现形式来表现中国绘画的意蕴，也就是吴冠中先生一生致力于的油画民族化和中国画的现代化，他把二者很好的自由的结合在一起，为中国绘画事业的发展起了重要的作用。吴冠中先生一生不懈的探索追寻东方和西方绘画的语言，美学观念不断地运用在自己的创作实践中，功夫不负有心人，他的艺术作品形成了鲜明的艺术特色，有了他个人的艺术风格。吴冠中先生创作的真情实感都来源于我们的生活，更以他的江南水乡为重心，实现了民族和大众的审美要求。吴冠中先生的绘画和文学作品都具有很高的文化品格，自从二十世纪八十年代起，他的绘画创作和艺术理念就适应了社会历史的发展，同时也适应了广大人民的需求，使中国绘画的演变和发展又上了个新台阶。吴冠中先生不仅在绘画创作上对中国绘画的转型发展提供了重要的参考，同时在绘画美学上也发挥了重要的作用，作为既是画家又是作家的吴冠中先生，从而形成了他独特的越界式批评方式，用真诚犀利的文字直击美术界存在的诸多问题的核心，形成美学思想的显著特点是解决问题而不是建构体系。吴冠中先生一生创作了大量的绘画理论文章，这些文章都各自反应了他的美学思想，概括总结主要具体体现在笔墨上，形式上和中西方结合上三点。不断地在这三个理论观点上进行深入分析美学思想和绘画创作的关系，从而不断进行理论反思和绘画创作，开创中国画现代化的新局面，本文主要通过对吴冠中先生绘画主要的美学思想的解读来揭示和认识吴冠中先生绘画思想的形式美的重要性。吴冠中先生不仅是中国当代美术史上重要的画家之一，同时也是饱受争议的画家之一，吴冠中先生成功的将中国传统绘画和西方当代艺术表现手法结合在一起，他扎根于祖国，一生致力于油画民族化和中国画现代画的探索，推动了中国现代绘画的创造性发展，吴冠中先生生平创作了大量的绘画作品，，同时发表了《风筝不断线》《内容决定形式》《笔墨当随时代》《笔墨等于零》等散文。本文分四章第一章介绍吴冠中先生生平及其艺术成就。吴冠中先生不仅是伟大的画家，而且也是美术教育家和散文家。吴冠中先生亲自感受和目睹了西方大师的艺术精品。回国后的吴冠中先生对绘画更是很大的热忱，将中西方绘画创造性的结合在一起，取得了很大的成功。作为美术教育家的吴冠中先生更加注重启发式的教学，形式美作为他教学的主要内容，他还特别强调注重本土化。第二章分析吴冠中先生绘画中关于形式美，抽象美，意境美和人体美的美学思想。形式美，主要阐述了吴冠中先生对形式美理解的个人观点，主要通过对“美与漂亮”“创作与习作”“个人感受与风格”“古代和现代，东风和西方”“意境与无题”“初学者之路”等这几个方面进行阐述。抽象美主要是形式美的核心，人们对形式美和抽象美的喜爱是出于本能的。意境美是吴冠中先生在创作中最精彩的一部分，主要是从绘画对象中提取最能打动人心的部分，更加准确地追求绘画中的意境美。人体美是吴冠中先生认为绘画练习中最不能缺少的，它与自然美息息相关，相辅相成。他个人在绘画中擅长用点线面，黑白灰以及红黄绿这些元素来抽象的表现物象。第三章分析吴冠中先生绘画中的美学观点。吴冠中先生认为没有现实生活的绘画是没有艺术价值的，艺术必须来源于生活。吴冠中先生还认为没有具体形象的笔墨等于零。第四章主要阐述了吴冠中先生绘画中的美学思想给我们创作绘画中的启迪。告诉我们艺术要扎根于现实生活，重视绘画中的错觉和感情的表达，强调绘画一定要富有创新精神。本文主要从吴冠中先生的绘画作品和美学观点出发，并结合他的散文深入进行研究和分析，通过对吴冠中先生绘画美学思想的一个全面认识来了解他绘画中的形式美。
[Abstract]:Mr. Wu Guanzhong is one of the most important and irreplaceable representative painters in the history of Chinese painting in twentieth Century, and even international art world. Mr. Wu Guanzhong is not only a master of art in Chinese and Western paintings, but also a great literary masterpiece at home and abroad, leaving rich paintings and great literary works for posterity, and Wu Guanzhong first. In many aspects, he has profound attainments, including oil painting, ink ink, color ink, sketch and art theory, literary creation, and so on. The most outstanding achievement of Mr. Wu Guanzhong is to combine the artistic conception language of Chinese traditional painting with the expression of modern western painting, and use the traditional Chinese ink and ink to show the idea of Western painting. Using the expression form of Western oil painting to show the meaning of Chinese painting, that is, the nationalization of oil painting and the modernization of Chinese painting, which Mr. Wu Guanzhong devoted his life to. He combined the two very good freedoms together and played an important role in the development of Chinese painting. Mr. Wu Guanzhong's unremitting exploration and pursuit of the East in his life. And the language of the western painting, the aesthetic concept is constantly used in his own creative practice. His artistic work has formed a distinctive artistic feature and his own artistic style. The true feeling of Mr. Wu Guanzhong's creation comes from our life, and his center of gravity in the south of the Yangtze River. The aesthetic requirements of the masses. Mr. Wu Guanzhong's paintings and literary works have a high cultural character. Since 1980s, his paintings and artistic ideas have adapted to the development of social history, and also adapted to the needs of the people, making the evolution and development of Chinese painting a new step. Wu Guanzhong He not only provided an important reference for the transformation and development of Chinese painting, but also played an important role in painting aesthetics. As a painter and writer Mr. Wu Guanzhong, he formed his unique way of criticizing the boundary, and struck a lot of problems in the art world with sincere and sharp words. The core characteristic of aesthetics is to solve problems rather than construct systems.
In his life, Mr. Wu Guanzhong created a large number of theoretical articles on painting. All these articles reflect his aesthetic ideas. The summary and summary are mainly embodied in the pen and ink, in the form of combining the three points with the western and the western. On reflection and painting creation and creating a new situation in the modernization of Chinese painting, this article mainly reveals and understands the importance of the formal beauty of Mr. Wu Guanzhong's painting ideas through the interpretation of the main aesthetic ideas of Mr. Wu Guanzhong's paintings. Mr. Wu Guanzhong is not only one of the most important painters in the history of Chinese contemporary art, but also a controversial one. One of the painters, Mr. Wu Guanzhong succeeded in combining Chinese traditional painting with western contemporary art. He took root in the motherland. He devoted his whole life to the exploration of the nationalization of oil painting and the modern Chinese painting, which promoted the creative development of modern Chinese painting. Mr. Wu Guanzhong created a large number of paintings in his life. At the same time, he made a great deal of painting. The "kite line" is more than "the content determines the form >" when the pen and ink should follow the times, the pen and ink equals zero.
This article is divided into the first chapter of four chapters to introduce Mr. Wu Guanzhong's life and his artistic achievements. Mr. Wu Guanzhong is not only a great painter, but also an art educator and essayist. Mr. Wu Guanzhong personally felt and witnessed the fine arts of the Western masters. After returning home, Mr. Wu Guanzhong was more enthusiastic about painting and created Chinese and Western paintings. The combination of sex has made great success. As an educator of art, Mr. Wu Guanzhong pays more attention to the teaching of elicitation. Form beauty is the main content of his teaching. He also emphasizes the localization.
The second chapter analyzes the aesthetic ideas of form beauty, abstract beauty, artistic conception and human beauty in Mr. Wu Guanzhong's painting. The form beauty mainly expounds Mr. Wu Guanzhong's personal views on the understanding of form beauty, mainly through "beauty and beauty" "creation and practice" "personal feeling and style" "ancient and modern, Dongfeng and Western" "" " The abstract beauty is mainly the core of the form beauty, the people's love for the form beauty and the abstract beauty is the instinct. The artistic beauty is the most exciting part of Mr. Wu Guanzhong's creation, which is mainly from the drawing object to extract the most inspiring part, more accurate. To pursue the beauty of artistic conception in painting. The beauty of human body is the most important thing that Mr. Wu Guanzhong believes in painting practice. It is closely related to the beauty of nature and complements each other. He is good at the abstract expression of the elements in painting with points and lines, black and white, and red and yellow green.
The third chapter analyzes the aesthetic point of view in Mr. Wu Guanzhong's painting. Mr. Wu Guanzhong thinks that painting without real life is of no artistic value, and art must come from life. Mr. Wu Guanzhong also thinks that no specific image of pen and ink is equal to zero.
The fourth chapter mainly expounds the inspiration of the aesthetic thought in Mr. Wu Guanzhong's painting to our creative painting. It tells us that art should take root in real life, attach importance to the illusion and expression of feelings in painting, and emphasize that painting must be innovative.
This article is based on Mr. Wu Guanzhong's paintings and aesthetic views, and combines his prose with a thorough study and analysis. Through a comprehensive understanding of Mr. Wu Guanzhong's painting aesthetic ideas, the beauty of form in his painting is understood.
【学位授予单位】：山西师范大学
【学位级别】：硕士
【学位授予年份】：2013
【分类号】：J212;J213

【共引文献】