沈周东庄图册诗性研究

发布时间：2018-05-18 07:17

本文选题：诗性 + 诗化　；参考：《中央美术学院》2014年硕士论文

【摘要】：沈周是明代中期文人山水画里程碑式的重要画家，上承宋元文人山水画传统，开启明代吴门画派一代新风，影响播及清代后期文人山水画派。其《东庄图册》兼具纪游、赠友及叙事等多种性质，是沈周创作性绘画中的精品。近年来，关于沈周及其《东庄图册》的著述、论文众多，史料文献丰富，研究基础较好。本文试将文学理论领域的“诗化”、“诗性”等概念，作为一种新的视角，引入到文人山水画的研究当中。以沈周的《东庄图册》为研究对象，通过搜集相关史料文献与绘画图像两类材料，采用分析、对比、综合等多种方法，使用表格、逻辑图、绘画作品图像配合行文论述。具体地说，一方面，将沈周《东庄图册》尽可能的还原到其特定的历史语境中，获得作品与当时的时势、人情、思潮等多方面因素的联系；另一方面，针对本文研究特点对“诗性”、“诗性文化”理论的相关概念重新加以定义，，绘制诗性思维逻辑图，并将其引入对沈周《东庄图册》画面实行表现的分析研究中去，重建沈周《东庄图册》从创作立意，经由绘画表现，再到营造意境的创作过程。笔者期待通过上述研究，从实践的角度认识中国诗性文化与山水画创作的关系，从而在今天的山水画创作中，发挥中国传统诗性文化的现代意义。
[Abstract]:Shen Zhou is an important painter of the landmark style of literati landscape painting in the middle of Ming Dynasty. It inherits the tradition of literati landscape painting in Song and Yuan dynasties, opens a new style of Wu Men painting school in Ming Dynasty, and influences the spreading of literati landscape painting school in the late Qing Dynasty. Dongzhuang Atlas, which has many properties, such as travel, friends and narration, is one of the best works in Shen Zhou's creative paintings. In recent years, there are many papers about Shen Zhou and his "Dongzhuang Atlas", the historical documents are abundant, and the research foundation is good. This paper tries to introduce the concepts of "poetic" and "poetic" into the study of literati landscape painting as a new angle of view. Taking "Dongzhuang Atlas" of Shen Zhou as the research object, through collecting related historical materials and drawing images, this paper discusses how to use tables, logic diagrams and pictures to match the two kinds of materials, such as analysis, contrast, synthesis and so on. Specifically, on the one hand, Shen Zhou "Dongzhuang Atlas" will be restored to its specific historical context as much as possible to obtain the works and the current situation, human feelings, ideological trends and other aspects of the relationship; on the other hand, According to the characteristics of this paper, the related concepts of "poetic" and "poetic culture" are redefined, and the logic diagram of poetic thinking is drawn, which is introduced into the analysis and study of the performance of the picture of Shen Zhou "Dongzhuang Atlas". Reconstruction of Shen Zhou Dongzhuang Atlas from creative ideas, through painting performance, and then to create artistic conception of the creative process. The author looks forward to understanding the relationship between Chinese poetic culture and landscape painting creation from the perspective of practice, so as to bring into play the modern significance of Chinese traditional poetic culture in today's landscape painting creation.
【学位授予单位】：中央美术学院
【学位级别】：硕士
【学位授予年份】：2014
【分类号】：J205

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