现当代水墨戏曲人物画研究

发布时间：2018-05-21 21:12

本文选题：水墨戏曲人物画 + 历史渊源　；参考：《河南师范大学》2016年硕士论文

【摘要】：中国绘画历史发展到了近现代,随着西方文化思想的涌入,人们思想得到解放,迫切寻求艺术上的革新,中国传统的绘画题材已不能满足画家们创作的需求,也开始变得多样性,传统戏曲题材在画家的探索与表现中,被正式的引入到水墨人物画中,成为一个独特的新的艺术类别。画家通过戏曲人物作品表现,向观众视觉传达戏曲舞台上生灵活现的人物形象,将传统中国画的笔墨技法与戏曲人物的造型相结合,呈现出一种新的艺术审美趣味。水墨戏曲人物成为戏曲和绘画艺术相互交融的结晶,这一方面将中国传统文化有效的传承和发扬,淋漓尽致的向世人展现了传统民族文化的独特魅力;另一方面,水墨戏曲人物画的出现不仅改善了当时水墨画发展的格局,提升了色彩观念在传统水墨画运用的地位,也开拓了绘画题材创作的广泛性,使画家们的视野变得宽广,积极寻求身边的绘画题材,为后面绘画艺术的发展做出了积极有益的贡献,也在国内外绘画领域上赢得了巨大的反响。本文在充分了解戏曲人物画从传统到现代风格演变的历史前提下,着重谈论了水墨戏曲人物画的兴起以及其艺术特征和价值意义。本篇论文一个分为三个章节。第一章将水墨戏曲人物画的发展历史以时间顺序为主做了一个详尽的介绍,第二章主要对它的艺术特征即在形象、造型、笔墨、色彩等方面进行了深入研究,在本论文的最后一章,对水墨戏曲人物画在绘画领域内产生的艺术价值做了一个总结。水墨戏曲人物画无论是对题材的创新上还是语言形式特点上都做出了非常有益的贡献。戏曲和水墨画的有效结合大大拓宽了中国传统水墨人物画的领域,开拓了水墨人物画创作新的观念,将戏曲上鲜活的形象通过画家大胆细腻的表现在画纸上,呈现给观众,大大增加了水墨画造型上的趣味性。戏曲和水墨画二者的结合就犹如两根跳动的弦,交织到一起,使观者骤然震惊,产生异乎寻常的理念;在绘画艺术漫长的历史长河里,水墨戏曲人物画的结合是吉光片羽,熠熠生辉的,而且他们身上都各自带有源远流长,涯无边际的时空印记,同时对水墨人物画的发展有着深远的影响。
[Abstract]:The history of Chinese painting has developed to the modern times. With the influx of Western cultural ideas, people's thought is liberated and the artistic innovation is urgently sought. The traditional Chinese painting themes can not meet the needs of the artists and become diverse. The traditional opera themes are formally introduced into the ink and ink in the exploration and performance of the painters. In the figure painting, it becomes a unique new art category. Through the performance of the opera characters, the painter conveys the vivid images of the living creatures on the stage of the audience's vision, combining the traditional Chinese painting techniques with the shapes of the characters of the opera, presenting a new art aesthetic taste. The characters of the Chinese ink and wash opera characters become drama and painting. The crystallization of the blending of painting art, this aspect is the effective inheritance and development of Chinese traditional culture, and vividly shows the unique charm of traditional national culture. On the other hand, the appearance of Chinese ink and ink drama not only improves the pattern of the development of the ink painting at that time, but also improves the status of the color concept in the use of traditional ink painting. It also opens up the breadth of painting subject creation, makes the artists' horizons broad, actively seeks the painting themes around them, makes a positive and beneficial contribution to the development of the art of later painting, and has won great repercussions in the field of painting at home and abroad. This article is fully aware of the evolution of the traditional to modern style of the Chinese opera figures. On the premise of history, it focuses on the rise of Chinese ink and ink drama figure painting and its artistic features and value meaning. This paper is divided into three chapters. The first chapter makes a detailed introduction to the history of the development of Chinese ink and ink dramas with time sequence, and the second chapter is mainly on its artistic features, namely, image, shape, pen and ink, and color. In the last chapter of this paper, the author makes a summary of the artistic value produced in the field of painting and ink drama figure painting in the field of painting. The Chinese ink and ink drama figure painting has made a very beneficial contribution to both the innovation of the subject matter and the characteristics of the language form. The effective combination of the opera and the ink painting is a great extension. The field of Chinese traditional ink painting widened the field of Chinese ink and ink figure painting, opening up new ideas for the creation of Chinese ink and ink figure painting. The vivid image of the opera was presented to the audience by the artist's bold and delicate expression on the painting paper, which greatly increased the interest of the ink painting. The combination of the two players of the opera and the ink and wash paintings was like two beating strings and intertwined together. In the long history of painting, the combination of Chinese ink and ink dramas is glittering and glittering in the long history of painting, and both of them have a long history and boundless space-time imprint, and have a profound influence on the development of Chinese ink painting.
【学位授予单位】：河南师范大学
【学位级别】：硕士
【学位授予年份】：2016
【分类号】：J212

【相似文献】