从具象到抽象—谈我对绘画语言在时代背景下转变的认识
发布时间:2018-05-23 22:43
本文选题:绘画 + 宗教资助 ; 参考:《沈阳大学》2017年硕士论文
【摘要】:在漫长的绘画发展史当中,宗教不仅为绘画艺术提供了很多经济上的资助,同时也提供了相应的绘画创作题材,而且还在绘画内在的精神层面给予了很好的支撑。这也是宗教推动绘画艺术发展,绘画传播宗教思想,相互之间最直接的连带关系之一。在西方艺术史中,宗教绘画占据着不可忽视的地位,一直发展到中世纪,艺术家和所有的艺术作品都是为宗教而服务的。文艺复兴时期的艺术能够得到高度的繁荣和发展是离不开社会群体对艺术家慷慨赞助的。在中世纪时期,艺术的经济资助完全来源于教会,而到了文艺复兴时期,艺术的经济赞助变成了当时整个社会的一种文化行为。文艺复兴时期的画家创作题材仍然是以圣经内容作为参照标准,但绘画的人物形象却从美化神的形象转变到了美化人本身的形象。其中人文主义思想主导着这个时期的艺术走向。在印象主义时期,科学的进步与新的发现对艺术语言的改变提供了很大的理论支持,同时也为印象派画家们提供了整套科学理论和物质材料。摄影的诞生和发展必定是要将画家们沿着艺术探索和实验之路推向新的方向,而以色彩为主要表现手段的印象派绘画正是当时摄影所不可比拟的,印象派的画家们正是抓住了这一方面,进行了不懈的探索和实验将绘画的语言进一步拓宽。美国抽象表现主义诞生于第二次世界大战的前后时期,发展到美苏冷战期间时趋于成熟。在美苏冷战的较量中,美国和前苏联都意识到了文化的传播对扩大自己的价值体系十分重要。在这样的历史背景需求下,美国抽象表现主义绘画顺理成章的融到了“文化冷战”的对抗之中。美国抽象表现主义绘画就是在这样的国际大背景下,从边缘艺术走向了主流艺术的道路,并此为自己打上了时代的烙印。
[Abstract]:In the long history of the history of painting, religion not only provides a lot of financial support for painting art, but also provides the corresponding subjects of painting creation, but also gives a good support in the spiritual level of painting. This is also one of the most direct links between religion and the spread of religious ideas. In the history of western art, religious painting occupies an important position, until the Middle Ages, artists and all works of art are for the service of religion. The high prosperity and development of Renaissance art can not be separated from the generous sponsorship of artists by social groups. In the Middle Ages, the financial aid for art came entirely from the church, and in the Renaissance, the economic sponsorship of art became a cultural act of the whole society at that time. In the Renaissance period, the subject matter of the painters was still based on the biblical content, but the figure of painting changed from beautifying the image of God to beautifying the image of man itself. Among them humanism thought dominates the artistic trend of this period. In the period of Impressionism, the progress of science and new discoveries provided great theoretical support for the change of artistic language, and at the same time provided a whole set of scientific theories and material materials for the impressionist painters. The birth and development of photography is bound to push the painters to a new direction along the road of artistic exploration and experiment, and the Impressionist painting, which takes color as the main means of expression, was incomparable to photography at that time. Impressionist painters have grasped this aspect and made unremitting explorations and experiments to widen the language of painting. American abstract expressionism was born around the second World War and matured during the Cold War. In the Cold War, both the United States and the former Soviet Union realized that the spread of culture was very important to expand their own value system. In such a historical background, American abstract expressionist painting naturally melts into the confrontation of the Cold War of Culture. American abstract expressionism painting is in this international background, from the edge of art to mainstream art, and this has marked itself with the brand of the times.
【学位授予单位】:沈阳大学
【学位级别】:硕士
【学位授予年份】:2017
【分类号】:J205
【参考文献】
相关期刊论文 前1条
1 倪井如;;自我意识的觉醒——伦勃朗自画像的深层解读[J];美术大观;2014年06期
相关硕士学位论文 前1条
1 韩方林;19世纪法国写实主义绘画的画面结构研究[D];山东师范大学;2009年
,本文编号:1926669
本文链接:https://www.wllwen.com/wenyilunwen/huihuayishu/1926669.html