论袁江山水楼阁界画的艺术特色

发布时间：2018-05-27 00:05

本文选题：袁江 + 山水楼阁　；参考：《江西科技师范大学》2014年硕士论文

【摘要】：界画是中国绘画中的画科之一，画面以亭台楼阁为主体物进行描绘。界画的发展离不开建筑的发展，而建筑的发展又与当时的政治、经济等各种社会因素息息相关。最开始界画就只是建筑物的设计图稿，是经过了历朝历代的画家们不断地研究探索，通过艺术实践将其表现形式不断地完善。清代初期，界画受元、明二代的影响并没有像唐、宋代一般广为流行，而是“文人画”大为流行的时候，而袁江却以山水楼阁界画别具一格的绘画艺术风格立足于这个广为流行“文人画”的时代，将在元、明二代衰落下去的界画又推上了一个新的高度。袁江山水楼阁界画，在继承前人传统基础上，不断地研究创新，，将中国界画艺术又一次往前发展了一步，与儿子袁耀创立了清代画坛上的“袁氏画派”，记载进了清代画史。本文的研究旨在通过考证法，考证清代历史，对山水界画的发展情况，袁江的生平进行考证，探索袁江山水界画产生的政治背景、文化背景等。通过对袁江山水界画作品的品读、临摹和研究，以及自身对袁江写生对象，如浙江杭州钱塘江的实地考察、感悟，探索袁江山水界画在思想方面、构图方面、选择题材方面和笔墨设色等技法方面的审美意境。着重探讨创作者对山水界画创作的态度和艺术表现手法，试图总结出袁江山水楼阁界画的艺术特色和艺术语言表达方式，以及对后世的山水界画的影响和创新提出一些具体的看法和意见，使本文的研究在理论与实践中得以应用和发展。
[Abstract]:Boundary painting is one of the painting sections in Chinese painting, with pavilions and pavilions as the main objects. The development of world painting is inseparable from the development of architecture, and the development of architecture is closely related to political, economic and other social factors at that time. At the beginning, the painting was just the drawing of the building, which was studied and explored by the painters of all dynasties, and the expression form of the painting was perfected continuously through the art practice. In the early Qing Dynasty, the boundary painting was influenced by the Yuan Dynasty, and the second generation of the Ming Dynasty was not as popular as the Tang and Song dynasties, but when the "literati painting" became popular. But Yuan Jiang based on this popular "literati painting" era with unique painting style of landscape pavilion, will push the boundary painting to a new height in Yuan and Ming dynasties. On the basis of inheriting the tradition of the predecessors, Yuan Jiangshan's paintings of water pavilions and pavilions constantly studied and innovated, and once again developed the art of Chinese paintings. He and his son Yuan Yao founded the Yuan painting School in the painting world of the Qing Dynasty and recorded it in the history of the Qing Dynasty paintings. The purpose of this paper is to study the history of Qing Dynasty, the development of landscape painting, the life of Yuan Jiang, and explore the political background and cultural background of Yuan Jiangshan painting. Through the reading, copying and research of Yuan Jiangshan's waterfront paintings, as well as his own on-the-spot investigation and understanding of Yuan Jiang's sketching objects, such as the Qiantang River in Hangzhou, Zhejiang Province, he explores Yuan Jiangshan's water paintings in the aspects of ideology and composition. Selection of subject matter and ink painting and other techniques such as aesthetic artistic conception. Focusing on the creative attitude and artistic expression of landscape paintings, the author tries to sum up the artistic characteristics and artistic language expression of Yuan Jiangshan's water pavilions. It also puts forward some concrete views and opinions on the influence and innovation of the landscape painting of later generations, which makes the research of this paper be applied and developed in theory and practice.
【学位授予单位】：江西科技师范大学
【学位级别】：硕士
【学位授予年份】：2014
【分类号】：J205

【参考文献】